I talk a fair bit of shit about the ol’ wub-wubs on this blog of the Gods, but this stuff I’m about to unveil is for the sophisticated dance lovers. It’s for those who have a Gucci pinga purse, and wear their bum bags with a seal fur lining. These people can afford speed-dealers from the top rack of the 7/11, and use Evian bottles for their bongs, not those pesky Mount Frankies or Gatorades. This is for the intelligentsia fist bumpers:
Sui Zhen – Infinity Street
There’s a slew of female R&B/production virtuoso artists floating around at the moment, from obvious nods at BANKS, to local legends KUCKA, Rainbow Chan and Banoffee. But Sui Zhen, man, she takes the cake. She also takes all the other delicatessen delights, because goddamit, she’s earned herself a righteous snack. “Infinity Street” is the first single from her upcoming debut album, and it’s a tight Grimes-esque bubblegum explosion of pink synths and icy claps. It’s Grimes brought to an even more wide-eyed innocence, cuter and more surreal than anything that’s popped up recently. This music is gorgeousness incarnate, more charming than the Prince himself.
I’lls – Fifty-Phiphti/ Asakusa
I’lls, a Melbourne electronica group that sound like The King of Limbs under a muffler of sleep, have quietly but surely returned with a brand new 7″. Two tracks long, the result is a shuffling escapade of lite electronic pattering, more Jon Hopkins-esque that any of I’lls work before. The opener “Fifty-Phiphti” builds upon slow-burning layer after layer, Flying Lotus’ ‘When The Quiet Comes’ acting as a bit of a influence soundboard. There’s a lot of cool jazz occurrences, and they’re moulded delicately and expertly into wordless samples, taking what Seekae exposed the world to on their debut, and revitalising it for a modern audience. Follow up “Asakusa” continues the dreamy beats that combine the noises of outside with the technical proficiency of someone who’s spent a while inside. The ensuing 8 minutes is something you want to check out.
Milwaukee Banks – Pluto Bounce (friendships Post-Apocalypse Grave-Rave Remix)
Apparently, Milwaukee Banks are a ‘cloud rap’ group, and whilst I don’t know what the fuck cloud rap is (nor do I care), I do know that these guys are crazy talented. The amount of chemistry apparent in their EP and music is something that even someone with only the faintest idea of good music will instantly be drawn to it.
Another Melbs group going by the name of friendships have contributed to a remix EP (featuring previous remixes from LUCIANBLOMKAMP and Andrei Eremin), and they’ve completely flipped and distorted the original track until it resembles an exoskeleton of its former self. Whereas the original could only be described as “dope-ass”, this renewed track harnesses the shuffling dance-floor potential, scooting eclectic sounds across a dark and moody atmosphere that must have involved some voodoo magic.
Leisure Suite – Leisure Suite EP
For the most part, indie acts add electronic flourishes with one of two possible outcomes occurring. One, the band could end up completely sucking (see: RUFUS, Chet Faker’s album, Alt-J). However, there’s another chance that the electronic stuff brings to light the intricacies of the band, and such is the case with Leisure Suite. Absolutely stunning, every song on this far too short EP is arresting, a straightjacket of subtle but emotional jams. Leisure Suite are sincere and gorgeous, and this EP is a surefire success indicator.