New Electronic Music: BANKS + Youth Lagoon + Tycho + Scenic + Rainbow Chan x Cassius Select + ALTA + Oscar Key Sung x Black Vanilla

Bro, can you feel it? I’m peakin’ braj, I’m peakin’! Broseidon, I can’t feel my arms!

Such is the life of a gum-muncher. I’m here to fund that lifestyle! These tunes will be with you throughout the thick, thin and the paranoid moments when someone is watching you, and it doesn’t matter that no-one else can see them, they’re totally there.

BANKS-BRAIN

I really have to thank my spirit guide Luen for this one. This track is absolutely killer, in that it will cut your throat, empty your carcass of blood, and leave your lifeless, deflated corpse by the side of the road, but there are no regrets because this song was just way too good. Produced by the almighty Shlohmo, ‘Brain’ is a popping R&B infused track. It starts with sliding water-droplet subtlety, and then, funded by BANKS’ illustrious voice, moves into a pure orgasm territory. I won’t ruin it, but the short of it is that you need to listen to this track, because it will make you want to accomplish all your dreams.

Youth Lagoon-Worms

I went and saw Youth Lagoon on Thursday night. I’m not going to write a review for the show, because frankly, he kinad sucked. I love his music, especially his first album, but in live shape, it was a bit of a self-indulgent, cinematic mess. However, this new track from him is amazing. ‘Worms’ is precisely that, a slinky, earthly thing that slowly worms its way around. There’s a constant twinkling, but the whole thing feels underground, trying to make its way to nowhere in particular, searching for purpose, but at the same time, pretty content knowing that’ll just be your average worm. Stay humble Youth Lagoon, its what I love you for.

Tycho-Montana

Segue alert: Youth Lagoon has a mad, mad, insane, mad song called ‘Montana’. This next paragraph is dedicated to a song entitled ‘Montana’, that also happens to rule. What the Franco, James?

This is a lot more spaced out than the previous entries, an instrumental track that heavily lies on the ‘instrument’ part of that phrase. Not only does Tycho incorporate synths and ticks, but there’s a lot of classical instrumentation appearing-live drums, piano, guitar, various percussion…It makes for a layered, super intriguing track that has more texture than a cup of fro-yo with all the toppings.

Scenic-Ride the Thrill

Scenic are from Perth, which means there’s a de facto Tame Impala influence on there. I’m genuinely surprised they got snapped up by Future Classic and not Modular. Regardless, Scenic actually share more in common with label-mates Jagwar Ma, channelling that Madchester rave scene in all its Happy Mondays glory.

Swishy, hazed vocals washing over you, a pulsating, electric pulse and a thumping synth line that crawls all over the place like a drunk Spiderman on a skyscraper. Dayum Scenic, you got yourself a fucking great song!

Scenic are going to be opening up the Laneway festivities tomorrow in Sydney, so be sure to catch them. Unless you’re at The Growl, with me, in which case, its cool, all is forgiven.

Rainbow Chan-Milk (Cassius Select Remix)

I absolutely adore Rainbow Chan. Her cool, teenage melodies that are chirpier than Twitter’s mascot are to actually die for. I would stab Zeus for a chance to cop an exclusive listen to new Rainbow Chan material. I also adore GUERRE (remix alias=Cassius Select). GUERRE/CS is also very awesome. Glad we’ve established that. Moving on.

So when two adorable elements such as the aforementioned collide on a re-re-remix track, amazing is sure to follow in stead. Prepare yourself for a sultry remix that is not afraid to do its own thing whilst flashing the sex-eyes at you every couple seconds and make sure you’re watching. What a minx!

ALTA-Wandering

Melbourne group ALTA are prepared to rip open your expectations via the earballs, and ensure that you’re paying more attention than the poo-eating scene from Human Centipede. Think of Willow Beats and Super Magic Hats, super silky smooth stuff that gets you jittery behind your belly button.

On ‘Wandering’, ALTA still retain their tribal roots, going full on Amazon, but also adding stylistic elements, pulling back just when you want to hear more, and then pouncing forward right when you’re least expecting it. Basically, ALTA have got the listener hooked, and a lack of this stuff will lead to withdrawal.

ALTA are playing tonight (!) at Good God. Get on that shit.

Oscar Key Sung-All I Could Do (Black Vanilla Remix)

Final entry, though no less organ-failingly good. It’s another remix of Oscar Key Sung’s badooshhhh single ‘All I Could Do’, this time from Sydney tune-shiners Black Vanilla. Usually more R&B focused, this one takes a small sample of Key Sung’s vocal ‘…could…’, and then adds some trap claps and shimmering, trickling synth work to make this remix the ice-queen of all OKS remixes. YEWWWW!

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New Electronic Music: Angel Eyes + Liars + Oscar Key Sung x Naysayer & Glisun + Snakadaktal x Just Kiddin + SBMRGE + Fielded

Usually, this shit will start off mad, cool, and chilled out. Fuck that. Let’s get weird.

 

Angel Eyes-Heave

Please, just…fuck, please don’t get Angel Eyes mixed up with Angel Haze. Just…just don’t do that to me. When I see shit like that happen, it’s like someone hearing ‘Under Pressure’ by Queen, and then they start rapping ‘Ice Ice Baby’. Its so wrong on so many levels.

Anyway, rant aside, Angel Eyes, another stunning  ambient project from this sunburnt land (another way of saying I have no idea where this enterprise is actually from) have released a new track called ‘Heave’. And its eleven minutes long. Shieeet. Although ‘Heave’ comes with a warning that it’s ‘…not representative of anything I’m putting out in the near future…’, its a fine fucking thing to listen to. Heave it does, wishing and washing its way through a Terminator blowjob sound, as mechanical failure sets in and oblivion rears its ugly head. Even though it’s probably the longest song you’ve heard since Green Day put out ‘Jesus of Suburbia’, you’ll finish it, and immediately want to play it again. The same cannot be said for ‘Jesus of Suburbia’.

 

Liars-Mess On A Mission

Liars? By the sandpaper-tounge of Matthew McConaughey! Aren’t they, like, a post-rock band or something?

Actually, when they can put out this sort of scream-rave track, who even gives a fuck? This thing is both grating and gyrating, the kind of thing that would get played in the token club scene of any indie movie. This is the kind of thing made to sweat to, rotate your head to and abandon logic to. If this song were a celebrity, it would be Jennifer Lawrence-pretty sexy, and I have no idea why I adore it so much.

As a matter of fact I do: that sudden pause between the dull ‘Fact is fact, and fiction’s fiction’ and all out screams of oblivion amidst intense beats that drop to the floor harder than Point Break extras during a bank robbery scene. Liars=1, Jennifer Lawrence=0.

 

Oscar Key Sung-All I Could Do (Naysayer & Gilsun Remix)

Although the original, with its anthemic chorus, and super-sensual vibe, is undoubtedly never going to be beaten by the remix game, Naysayer & Gilsun have certainly had a fair go at trying to better Oscar Key Sung’s stand out single.

Aided by wispy loops and the gilded female moans, N&G add a rythmic balance to the track that it may or may not have been missing. This is less the sort of thing you sway to and more what you’d empty-mindedly grapple with on a dance floor. The seething beats, the sharp edge feel-it all combines for a damn good attempt at Oscar Key Sung’s crown jewel.

 

Snakadaktal-The Sun II (Just Kiddin Remix)

Damn, this song was made to be danced to in a dingy-lit nightclub just off of Oxford Street at 2 in the morning. And that, ladies and gentlemen, is a compliment of the highest order.

Just Kiddin get this remix just right, adding some silky smooth layers of danceability to the track without treading into weird rave territory. With the high hats, wind-in-your-ears synth, and bass line that puts the listener in a funk chokehold, this kind of remix reminds of artists like Touch Sensitive and Kavinsky. And that fucking rules.

 

SBMRGE-Masked

We’ve already heard from Pilerats Records via their debut release of Sable’s ‘Feels So Good’, and the new lable show no signs of slowing down, having just released their third track by an artist known as SBMRGE. Listening to this track, there’s no doubt of the influence of SBTRKT. If you hadn’t picked it up from the name, then just a small snippet of the smoother-than-cream-made-of-silk soul of the track should convince you pretty quick smart.

However, there’s also a little of that Australian vibe through artists like Kilter and Yahtzel. However, with SBMRGE’s smoothness, he trumps those guys brash knob-tweakin’, and comes on top this round. You go SBMRGE!

 

Fielded-City of the Dayzed

At the very beginning of the track, Fielded (aka Lindsey Powell) immediately splits shit up by infiltrating a quiet, timid voice with rushing, raindrop-like xylophone sounds. However, that voice comes back in a big way very quickly, amping itself into some sort of Mariah Carey-influenced brand of The xx. Woah, right?

‘City of the Dayzed’ has just some of the strongest female vocals I’ve heard in a long, long time. If it were behind some sort of cheesy, bullshit thing, this track would’ve both been lost on me, and gone to the top of the Billboard Charts for approximately a week, and thousands of radio hosts would find a way to mispronounce Ms. Powell’s name. Instead, the shuffling, trembling music we get instead provides a lush background that completely allows the song to hit its absolute fucking peak.

New: Oisima-Everything About Her (Sweatson Klank Remix) (free download)

Okay, so we’ve heard the original, we’ve heard the Ta-ku remix, and now there’s the Sweaston Klank remix. And yet, we still wait and wait to tire of Oisimia’s ‘Everything About Her’. Surely, it will be a grave day in human history when we skip this song in our Itunes Shuffle.

This new remix from Sweaston Klank is subdued, and a little bit dangerous. It shuffles along like a Nicolas Jaar track, subtly clicking and grooving to its own beat. However, the remix also allows Annabel Weston’s vocals to shine through a bit more, and you can really appreciate how fucking great she sounds. Overall, an adept and different take on the stunning original track from Sweatson Klank, fantastic job.

New: Snakadaktal-Fall Underneath (Hayden James Remix)

Another remix today, however this one’s a little traditional in terms of what’s expected of a remix? Wait, did I just say that? To describe Hayden James? That can’t be right…

Indeed it fucking isn’t, as the swoops of sound simmer, sizzle and shimmer, delicate bass drops tumbling down a sheen of tightly produced work. Snakadaktal’s track was already a finely worked piece of diamond-encrusted deliciousness, but Hayden James has just added that little bit more glitz to give it the head-turning potential it hinted at.

Brand New Flume-‘You And Me’

Brand New Flume

Okay, so it’s a remix, and not a completely original track. Sue me! It’s still fucking great.On this remix of Disclosure’s track ‘You And Me’,   Flume takes an already excellent electronic track, and adds subtly orgasmic elements that turn the song from great to legendary. In case you forgot Flume’s remix of Hermitude’s ‘HyperParadise’, the guy knows his shit.

The Disclosure song starts out incredibly average, with strings and a vocals that could’ve been picked out from anywhere. Until about a minute in, there is nothing outstanding about the song. Then boom, it hit’s you like pufferfish herpes to the groin: dat drop. Yes, it’s excellent, balancing perfectly on a delicate precipice of electro beauty. The production is standard Flume, breaking into a hypnotic hazed delight, claps, whirs and buildups all foreplay gearing towards a warped masterpiece. A damn fine track, and it shows us that the kid’s still got it.