Video: Rainbow Chan – Work

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Rainbow Chan has always been excessively cool, but this new song and clip has taken her to a new stance of god-like proportions. After listening to and watching “Work”, I feel the same way about Rainbow Chan as I do Beyonce – just mouth-agape, holy shit, that’s what a fucking boss sounds like. She just oozes with this effortless aura of chic that would make Fonzie’s head spin.

“Work” has everything you could want from a pop song – a stomping beat, a flourishing workout of percussion and potentially the best dance sequence since Kevin Bacon was gyrating his way through an abandoned warehouse in Footloose. Add in an abundance of leather, two notably boss backup dancers, and Rainbow Chan’s absolutely stunning vocals snapping necks to attention faster than a karate chop from Chuck Norris, and you’ve a whole new level of pop masterpiece.

Rainbow Chan’s debut album Spacings will be out on Silo Arts on August 26th. Catch Rainbow Chan bringing her incredible moves to either the first night of Volumes Festival on August 26th, or her album launch at Newtown Social Club on September 16th.

Volumes 2016 Mixtape

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Last year, Sydney got a huge leg up in the form of Volumes Festival, a multi-venue event that put a spotlight on all the fan-fucking-tastic music we get to call our own in this city, as well as a 11/10 show from Blank Realm. Even the piece of shit writing this sentence had a pretty good time!

Which is why I’m really happy that Volumes will be returning for another year! Not only have the team expanded to include an extra day and the Burdekin Hotel amongst last year’s venue collective of The Oxford Art Factory, Brighton Up Bar and Cliff Dive, but they’ve delivered a lineup that forces even a chode like myself to concede a gasp of “Wow…”.

The full lineup and tickets can be scored here, but if ya want a pick of the best of the bunch, read on below:

BV

Formerly known as Black Vanilla, the Friday night headliners will be bringing their ferociously dark party to Volumes for a night of hedonism. In their own words: “No once cares how well you move, so just move”.

FISHING

The last time I saw FISHING, they rapped in French, and then brought up the Al Wright from Cloud Control for a song that sounded like the spiritual successor to Underworld’s “Born Slippy”. I don’t know how the hell they’ll be able to top that, but after months away, honing new material, I wouldn’t be surprised to see that FISHING’s return to the stage will see a truly crazy performance.

Rainbow Chan

Rainbow Chan is definitely the best thing in electronic music right now. Every time I see, hear or even think about her music, the words “jilted pop perfection” brand themselves into my brain. Her debut album will be out by the time she hits the stage for the first night of Volumes, so make sure you get a good spot early, because you’ll be one of the thousands clamouring to catch the biggest sensation of 2016.

Donny Benet

It’s been far too long since the ripple of Donny’s smooth and sensual touch has been felt. The sophisticated lover will be sparing no expense on the Saturday night, enrapturing all those who dare to feel the heat. Fuck, I’m licking my lips just thinking about this.

Unity Floors

I’ll take any excuse to belt out “Nice Fit” and all the other classic hits these guys have made over the years. UF’s second album Life Admin should be out by the time Volumes hits, so there’s plenty of time to learn the lyrics to all the new classics as well.

Rolling Blackouts CF

Someone once called Rolling Blackouts CF “…the best band ever…”, and that someone is me.

Scott and Charlene’s Wedding

Scott & Charlene’s Wedding, the third best Neighbours-themed band from Melbourne, hardly make the trek to Sydney anymore, so any opportunity to see them should not be missed. Besides all the classics like “Rejected”, “Lesbian Wife” and “Jackie Boy”, they also do a killer cover of the Go-Betweens’ “Karen”, so make sure you’re front and centre when they tear Brighton Up Bar a new one.

The Harpoons

I’ve sorely missed The Harpoons’ R&B-tinged synth pop – it’s lip-biting, misty eyed stuff, and I’m filled with anticipation at the mere thought of swaying along with hundreds of others to “Unforgettable”.

Summer Flake

Summer Flake’s Hello Friends has been my ‘Album of the Week’ for the past three months – I’m a lazy shit who keeps forgetting to update that section of the website, but there’s also a hint of truth to my mistake. Summer Flake’s disarming honesty, golden guitar and harrowing voice makes her the perfect recipient of such a prestigious award. Can’t wait to catch Steph Crase and co. when they swing through Sydney again!

 

Volumes 2016 takes place on Friday the 25th and Saturday the 26th of August, all up and down Oxford St. Once again, tix and full lineup here.

New Electronica: Rainbow Chan + Dro Carey + Broadway Sounds + Ara Koufax + Kllo + OCDANTAR + Cliques + TEES

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If you head to the club tonight, and the DJ doesn’t drop one of these sick beats, then sorry, you went to the wrong club and your DJ sucks.

Rainbow Chan – Last

Rainbow Chan recently dropped “Nest”, the first single from her upcoming debut album, which showcased an even stronger willingness to incorporate all those pop leanings hinted at on her first few tracks. Now, “Last” doubles down, with rippling pools of synths spurred on by constantly evolving percussion from chimes to spliced hi-hats. Plus, there’s a chorus in there that was surely custom-made in a pop warehouse featuring a cast of ex-Destiny Child’s ghostwriters. That syrupy “Honey, honey” chant is enough to melt steel beams.

Dro Carey – Dark Zoo EP

Dro Carey has to be one of the most impressive electronic artists in Australia, right? He’s been doing that sort of complex and paranoid take on UK Garage for a few years now, but this EP sees a new extension to the Dro Carey dynamic, with a Kucka collaboration that showcases his poppies stuff yet. Still, “pop” is a loose word for “Queensberry Rules” – it’s still murmurs and bubbles with a twisted aesthetic. The EP also features that stellar single “Grow Lithe” – like a migraine pulsing underneath your skull, this thing distorts aggressively; a surefire way to keep a dance floor contorting at 3am.

The Dark Zoo Ep officially drops next week on the 20th via Soothsayer – plenty of other hits on there, so get on it.

Broadway Sounds – Exclusive Love/Digital Influence

Broadway Sounds are heading to Glastonbury! How great is that!? But also, not in the least bit surprising, considering their constant stream of good-time funk/electronica/disco/afrobeat/fuck knows banger salads. Just listen to “Exclusive Love/Digital Influence”, a song that can’t sit still for a millisecond. It jumps around upon a perky, unpredictable spray of disco synth that bathes in the titular commandment of “EXCL-USIVE LOVE / \ DIGITAL INF-LUENCE”. This song is an authoritative gesture from the Gods of Getting Down, and who are you to deny them?

Ara Koufax –  Kissy Fits

As soon as “Kissy Fits” kicks off, it becomes clear that you’re in for some jaw-clenched, fists-bundled techno. Ara Koufax stretch tension over their six minutes, chewing on football samples and murderous beats. It’s heavy stuff that remains menacing and intensive, but never overextends into something cartoonish.

Kllo – Bolide

Kllo are back with an extra letter and a serene new single in “Bolide”! The team up between Simon Lam (I’lls, Nearly Oratorio) and Chloe Kaul has just gotten hypersensitive – this is the kind of song you put on after you fall asleep in the sun, and end up with third degree burns all over your body, and you need something even more soothing than mere Aloe Vera.

OCDANTAR – Time in Flux EP

The solo project of Josh Delaney (Rat & Co, SMILE, Smooch Records Co-Head Honcho) has just put out an EP of slow-burning, Jon Hopkins-esque atmospheric electronica. It’s slow, sparse and beautiful stuff, full of texture. If it were a .jpeg, we’d call it high-res, a bare minimum of 300 pixels. The biggest highlight has to be “Sad Child”, a crisp, delicate mourner led by haunting vocals more mournful than the Adrien Brody’s natural facial expression.

Cliques – Dotted

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Cliques are the Anglerfish of the electronic world. They sit in near silence, in a place so dark you wouldn’t be able to see anything even if you had a trusty Bic. Then, a small, dim light appears…faint, bouncing, happy. It feels wrong to approach it, dangerous even, but it’s so beautiful. It bobs closer and closer, but something doesn’t feel quite right. It’s so close, and so bright, and then…the jaws open wide, terror rises to its haunches, and you’re vacuumed into the stomach of one of the world’s most unique predators.

TEES – Got the Feeling

Look, if this came out in the 90’s alongside Underworld and Orbital, TEES would probably be the biggest things in the world. Actually, it doesn’t really matter about context – even coming out in 2016,  with “Got the Feeling” and that top notch propulsive dreamy house beat, I fully expect TEES as headliners for the next Coachella.

 

10 Best Bands of BIGSOUND

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Brisbane – you go alright. Sydney folk have given you a bit of a rough ride throughout the years: “It’s too hot…full of bogans…fucking Maroon wankers” are all pretty common complaints. But after offering up so many fantastic bands over the years, it was awesome to finally experience the whirlwind of your uncomfortably warm embrace. And BIGSOUND! What a treat! Despite an abundance of blokes (always blokes) with incredibly overinflated egos (shoutouts to the guy that threw his pass in a security guard’s face, throwing his arm at the 30 second queue and exclaiming “But I’m a delegate! That’s a punter’s line…THIS IS BULLSHIT!”) BIGSOUND is an opportunity.

Y’see, there’s over 150 bands playingsome incredible, some lame as shit, but all there to hopefully further their careers and find success, whatever that definition might be. And I’m really happy about that – there’s not nearly enough cash being thrown back to the musicians who make our punter lives such a joy. So, even though don’t like it, who gives a shit? I’m happy for any artist, of any genre, to achieve their goal, particularly through a process like BIGSOUND, which is a great way to connect with folks who can help you. For every guy that can’t stop mentioning the fact that he works in the “music industry”, there are a dozen people who genuinely care about checking out as many of the good things on offer. So here’s my two cents on the best bands up at BIGSOUND – and by the way, if you ever fucking make me wait in a queue again, I will sue you.

10. Rainbow Chan

The electronic contingent at BIGSOUND was pretty disappointing this year. Maybe it’s coming from a really ill-informed “band bro” point of view, but watching someone overanalyse a set of decks just really doesn’t seem like that exciting of a thing to watch. It was the acts that went left of centre and made the most of their sets that performed best: Sui Zhen and NULL both pulled off impressive and visually engaging sets that are worth checking out. But it was Rainbow Chan that proved to be the most energetic and lively; she’s criminally underrated, and doesn’t play shows nearly enough. Any chance to catch her bop, groove and twirl onstage is a treat that should be taken advantage of immediately.

9. Tired Lion

If I wasn’t guzzling booze and schmoozing up to the heads of the major labels with all the gusto of Gary Busey on a coke binge, then I probably would’ve made it into the sold-out Gang of Youths gig, and they would’ve been on this list. Unfortunately, that didn’t happen (didn’t even get a fucking corporate sponsorship out of all that sucking up either). However, it did mean that I caught Tired Lion, Perth shredders that feature an absolute powerhouse of a front woman, the unstoppable Sophie Hopes. She latched onto every figure in the packed out room with the ferocity of the band’s namesake tearing open the throat of the slowest gazelle in the Savannah. We are all that gazelle, and all we could do was stare in awe of the show that Tired Lion supplied as they stewed upon our entrails.

8. Cosmic Psychos

Their new album leaves a lot to be desired, as much of a disappointment as my results at uni. But it would be plain ignorant to call Cosmic Psychos as anything less than a heritage act, an influential band that spits in the face of legacy because they’re too busy riding tractors and slamming into dead roos. Their reputation as one of the best pub rockers remains undisputed when it comes to a live show. Sweaty, blood-spurting and beer-soaked faces caked the grey-haired but perpetually young-at-heart performance, as classics “Nice Day to Go the Pub”, “Lost Cause” and “David Lee Roth” all saw air time, both from the stage and the bevy of crowd-surfers.

7. DARTS

DARTS played two sets, and both proved to be overwhelming punches of spectacle. Straight ahead, teeth-bared rock that presents itself as a slew snarling anthems, but is plagued with cutting self-analysis and anguish, which explodes in the live arena. DARTS work well in confined spaces, barrelling through track after track on the stages of Brisbane with loaded sets of staunch, lip-curling grunge.

6. WAAX

On a bill packed with rock acts, WAAX feel like the band destined to inspire more than fair few teenagers to pick up the guitar and thrash around in their bedroom. This band deserves every loud-loving punters full attention, and catching them live should shoot to the top of the list. Ask anyone who was there, and you’re likely to get the same gushing response as entailed here. Front woman Marie De Vita is particularly worthy of praise, an irrepressible emerald-doused firework who dominates the crowd like she’s Joan of Arc and we’re all a bunch of bloody Brits ready for rock slaughter.

5. Tiny Little Houses

This show was absolutely fucking packed. A full 24 hours later, and my lungs still haven’t decompressed themselves. But mate, wasn’t it bloody worth it? I’d kinda given up on folk bands, what with the realisation that Boy & Bear and The Paper Kites both suck…but man, Tiny Little Houses – swoon! They’re lo-fi recordings shine on a stage, and the inclusion of a fair bit of shredding helps bolster their performances into quite the mesmerising spectacle.

4. The Ocean Party

The Ocean Party are easily the hardest working band in Australia, with more live gigs notched under their belts than Ron Jeremy’s got STD’s. Not only that, but they’ve got a fifth record due out in a month AND all seven members deal with their own stellar recording projects in what mythical spare time they have. With all that practice and constant skill-honing, it’s no wonder that The Ocean Party are one of the most charming bands to watch in Aus. Their gigs will suck you in like a bloody typhoon, and you’ll have their incredible brand of guitar-pop stuck in your head for days, weeks, months, years. Truly, this band is the herpes of music…but delightful instead of burning.

3. Dorsal Fins

There’s a fuck-off amount of members in Dorsal Fins, so many that it’s all too easy to lose count. Watching them is like watching that classic gorilla selective attention experiment video – your eyes are bouncing between so many members that a giant ape could walk through the middle and you wouldn’t notice. Not that King Kong antics are a problem here – you’re having way too much fun! Dorsal Fins do pop to its logical, exuberant climax, and the unstoppable Ella Thompson not only possesses one hell of a voice, but the most enthusiastic dance moves that BIGSOUND had to offer. On a bill filled with bright pop musicians, Dorsal Fins were far and away the most brilliant and enticing.

2. The Goon Sax

One song and a handful of demos is apparently enough to fill up a room to a dangerous capacity. If someone coughed, the whole audience would’ve come down with pneumonia the next day. But of course, everyone was excited to check out the new Chapter Music signing. After 20 years, one of the most prestigious and continuously enigmatic labels in Australia went out on a limb and signed their first band based on unsolicited demos. Holy shit did they make the right decision: three high school kids, loaded with shy charm and a love for bands that I wish I could’ve claimed to be into in Year 12 (The Apartments, Go-Betweens, and The Bats) deserved every cheer and clap they got during their slot. I don’t even give a shit if I’ve got whooping cough now – seeing The Goon Sax will be worth every second of my impending plague.

1. DEAFCULT

I am so okay with a band with four guitars. Yeah, you read that right – four. This band has the same amount of guitars as the core cast of Seinfeld has members. And they use these guitars in their entire brutal capacity – nobody was leaving this room without bleeding eardrums and grin planted on their cranium. Fuck, there is so much to love about this band: from the name, to the incredible musicianship on display, to the simple awe generated by the sheer volume of it all. This band is epic, but with all the pretension removed. Watching DEAFCULT is an experience that anyone with even a passing interest in what guitars can do should participate in. Fuck…I think I’ve shit myself just from thinking back to it.

Video: Rainbow Chan-Fruit

There is so much to love about Rainbow Chan’s new video/song ‘Fruit’. The simple direction the video and song go for provides for effortless coolness, and the vibes are that of a quaint Grimes. It’s charming like how I imagine a date with Ty Burrell or Ellen Page would go down: smart, simple, and unique. I mean, how many other videos are you going to see where an intimate connection goes down over the fusing of a peach?

New Electronic Music: BANKS + Youth Lagoon + Tycho + Scenic + Rainbow Chan x Cassius Select + ALTA + Oscar Key Sung x Black Vanilla

Bro, can you feel it? I’m peakin’ braj, I’m peakin’! Broseidon, I can’t feel my arms!

Such is the life of a gum-muncher. I’m here to fund that lifestyle! These tunes will be with you throughout the thick, thin and the paranoid moments when someone is watching you, and it doesn’t matter that no-one else can see them, they’re totally there.

BANKS-BRAIN

I really have to thank my spirit guide Luen for this one. This track is absolutely killer, in that it will cut your throat, empty your carcass of blood, and leave your lifeless, deflated corpse by the side of the road, but there are no regrets because this song was just way too good. Produced by the almighty Shlohmo, ‘Brain’ is a popping R&B infused track. It starts with sliding water-droplet subtlety, and then, funded by BANKS’ illustrious voice, moves into a pure orgasm territory. I won’t ruin it, but the short of it is that you need to listen to this track, because it will make you want to accomplish all your dreams.

Youth Lagoon-Worms

I went and saw Youth Lagoon on Thursday night. I’m not going to write a review for the show, because frankly, he kinad sucked. I love his music, especially his first album, but in live shape, it was a bit of a self-indulgent, cinematic mess. However, this new track from him is amazing. ‘Worms’ is precisely that, a slinky, earthly thing that slowly worms its way around. There’s a constant twinkling, but the whole thing feels underground, trying to make its way to nowhere in particular, searching for purpose, but at the same time, pretty content knowing that’ll just be your average worm. Stay humble Youth Lagoon, its what I love you for.

Tycho-Montana

Segue alert: Youth Lagoon has a mad, mad, insane, mad song called ‘Montana’. This next paragraph is dedicated to a song entitled ‘Montana’, that also happens to rule. What the Franco, James?

This is a lot more spaced out than the previous entries, an instrumental track that heavily lies on the ‘instrument’ part of that phrase. Not only does Tycho incorporate synths and ticks, but there’s a lot of classical instrumentation appearing-live drums, piano, guitar, various percussion…It makes for a layered, super intriguing track that has more texture than a cup of fro-yo with all the toppings.

Scenic-Ride the Thrill

Scenic are from Perth, which means there’s a de facto Tame Impala influence on there. I’m genuinely surprised they got snapped up by Future Classic and not Modular. Regardless, Scenic actually share more in common with label-mates Jagwar Ma, channelling that Madchester rave scene in all its Happy Mondays glory.

Swishy, hazed vocals washing over you, a pulsating, electric pulse and a thumping synth line that crawls all over the place like a drunk Spiderman on a skyscraper. Dayum Scenic, you got yourself a fucking great song!

Scenic are going to be opening up the Laneway festivities tomorrow in Sydney, so be sure to catch them. Unless you’re at The Growl, with me, in which case, its cool, all is forgiven.

Rainbow Chan-Milk (Cassius Select Remix)

I absolutely adore Rainbow Chan. Her cool, teenage melodies that are chirpier than Twitter’s mascot are to actually die for. I would stab Zeus for a chance to cop an exclusive listen to new Rainbow Chan material. I also adore GUERRE (remix alias=Cassius Select). GUERRE/CS is also very awesome. Glad we’ve established that. Moving on.

So when two adorable elements such as the aforementioned collide on a re-re-remix track, amazing is sure to follow in stead. Prepare yourself for a sultry remix that is not afraid to do its own thing whilst flashing the sex-eyes at you every couple seconds and make sure you’re watching. What a minx!

ALTA-Wandering

Melbourne group ALTA are prepared to rip open your expectations via the earballs, and ensure that you’re paying more attention than the poo-eating scene from Human Centipede. Think of Willow Beats and Super Magic Hats, super silky smooth stuff that gets you jittery behind your belly button.

On ‘Wandering’, ALTA still retain their tribal roots, going full on Amazon, but also adding stylistic elements, pulling back just when you want to hear more, and then pouncing forward right when you’re least expecting it. Basically, ALTA have got the listener hooked, and a lack of this stuff will lead to withdrawal.

ALTA are playing tonight (!) at Good God. Get on that shit.

Oscar Key Sung-All I Could Do (Black Vanilla Remix)

Final entry, though no less organ-failingly good. It’s another remix of Oscar Key Sung’s badooshhhh single ‘All I Could Do’, this time from Sydney tune-shiners Black Vanilla. Usually more R&B focused, this one takes a small sample of Key Sung’s vocal ‘…could…’, and then adds some trap claps and shimmering, trickling synth work to make this remix the ice-queen of all OKS remixes. YEWWWW!

New: Hand Games Mixtape #14 (free download)

New: Hand Games Mixtape #14 (free download)

Fuck to the yes to the fuck yes. There is a new Hand Games mixtape, and for now, everything is right in the world. For those that don’t know, Hand Games is a mixtape service. Every month, a new playlist shows up like the hologram of Eazy-E at Rock the Bells. This month’s playlist has a host of goodness that would cause envy to Mother Teresa. There’s new shit from the schmoovest R&B thang in the world, Black Vanilla, as well as some light and immersing electronica from Hayden James, Ta-ku, Moses MacRae and Lower Spectrum. In terms of the gorgeously gargantuan, there’s the newest of new from Palms (<3), Peter Bibby, Shining Bird. ‘C of O’ from The Native Cats ‘Dallas’ album makes a most welcome appearance. Rounding out the eye-popping goodness are Summer Flake, Brothers Hand Mirror, Rainbow Chan and Naughty Rappers Collective. Overall, this shit is going to pound you into oblivion with the sheer greatness of the music. The fact that is completely free of charge will send your brain into a paradoxical descent of insanity.