Video: Sid Pattni- Go Back Home feat. Meg Mac

Wooooahhh! Was there a laboratory’s worth of acid in that cup of double ice-shot Italian mocha blanda-cino? Watching that was like watching Avatar whilst having my head beaten by a neon butterfly. Which is basically what’s going down in this clip. Seriously, no hyperbole, ‘Go Back Home’ is the European black light movement going through metamorphosis, set to ball-tripping electronic explorations. Make sure you have your genitals and mind firmly strapped down before watching this, because they could float off in wonder. And when talking in relative terms of Sid Pattni, tt wouldn’t be the most ridiculously weird thing either.

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Video(s): Jagwar Ma + Client Liaison + Sable

Some audio-visual delights for a Friday arvo.

Jagwar Ma-Uncertainty

Jagwar Ma are pretty fucking huge right now. I mean, they were wayyyy bigger off the back of their debut album ‘Howlin’, but the music industry is a fickle she-wench, and Jagwar Ma have dropped from the collective conscience a bit. However, they should be right back there with the new video for their track ‘Uncertainty’.

Most people remember the band for their Madchester-like tracks, but ‘Uncertainty’ is way more alike to the indie-dance floor staples of the present. Think Oscar Key Sung fronting The Chemical Brothers recent stuff. ‘Uncertainty’ has a mind-melting chorus that’s like Black Moth Super Rainbow minus the reverb-drench, and the general vibe is a seductive, sex-fuelled journey on a synth spaceship.

As for the video, well it’s deplorably awesome. Blue horizons jettisoning overhead as the boys do their thing on a bunch of instruments from the future, and spiders crawling over to cop a geez at whatever those awesome sounds are.

Client Liaison-Free of Fear

Recently, there’s been a whole bunch of indie-electronic acts that are re-inventing the sounds of the past for ultimate payoff. Think World’s End Press, Architecture in Helsinki and the aforementioned Jagwar Ma. But Client Liaison rise above them all, because not only do they adopt the sounds of late, but they adopt the stylistic roles and attitudes of the era as well.

Watching the video for Client Liaison’s brand new video is like being transported to some alternative version of Mad Max. There’s still the desert, lack of cars and mullets, but then there’s also the dashings of Miami Vice drug dealer in there. Neon suits, vast displays of lush power, Frida Kahlo x Cleopatra dancers… It’s basically living out the ultimate 80’s dream. If the characters of Wall Street were really eccentric, they’d probably have made this video.

Sable-Feels So Good

Speaking of retro, check out the fucking mad video for Sable’s single ‘Looks So Good’. Except instead of bad suits and mid afternoon beverages, it’s a transportation into any arcade video game of the mid 80’s. Imagine if you could be transported into Space Invaders, Tron-style, and check out the inner-workings of the alien spacecraft, and their exact schedulings of dropping in uninvited on Planet Earth.

Meanwhile, the music whirs on in the background, accompanying the flurrying images with as much bright colour as those piercing synth chords can. Basically, what you’re looking at is a super-awesome-happy-fun-times experiment, funded by SABLE Corp.

New Electronic Music: Angel Eyes + Liars + Oscar Key Sung x Naysayer & Glisun + Snakadaktal x Just Kiddin + SBMRGE + Fielded

Usually, this shit will start off mad, cool, and chilled out. Fuck that. Let’s get weird.

 

Angel Eyes-Heave

Please, just…fuck, please don’t get Angel Eyes mixed up with Angel Haze. Just…just don’t do that to me. When I see shit like that happen, it’s like someone hearing ‘Under Pressure’ by Queen, and then they start rapping ‘Ice Ice Baby’. Its so wrong on so many levels.

Anyway, rant aside, Angel Eyes, another stunning ¬†ambient project from this sunburnt land (another way of saying I have no idea where this enterprise is actually from) have released a new track called ‘Heave’. And its eleven minutes long. Shieeet. Although ‘Heave’ comes with a warning that it’s ‘…not representative of anything I’m putting out in the near future…’, its a fine fucking thing to listen to. Heave it does, wishing and washing its way through a Terminator blowjob sound, as mechanical failure sets in and oblivion rears its ugly head. Even though it’s probably the longest song you’ve heard since Green Day put out ‘Jesus of Suburbia’, you’ll finish it, and immediately want to play it again. The same cannot be said for ‘Jesus of Suburbia’.

 

Liars-Mess On A Mission

Liars? By the sandpaper-tounge of Matthew McConaughey! Aren’t they, like, a post-rock band or something?

Actually, when they can put out this sort of scream-rave track, who even gives a fuck? This thing is both grating and gyrating, the kind of thing that would get played in the token club scene of any indie movie. This is the kind of thing made to sweat to, rotate your head to and abandon logic to. If this song were a celebrity, it would be Jennifer Lawrence-pretty sexy, and I have no idea why I adore it so much.

As a matter of fact I do: that sudden pause between the dull ‘Fact is fact, and fiction’s fiction’ and all out screams of oblivion amidst intense beats that drop to the floor harder than Point Break extras during a bank robbery scene. Liars=1, Jennifer Lawrence=0.

 

Oscar Key Sung-All I Could Do (Naysayer & Gilsun Remix)

Although the original, with its anthemic chorus, and super-sensual vibe, is undoubtedly never going to be beaten by the remix game, Naysayer & Gilsun have certainly had a fair go at trying to better Oscar Key Sung’s stand out single.

Aided by wispy loops and the gilded female moans, N&G add a rythmic balance to the track that it may or may not have been missing. This is less the sort of thing you sway to and more what you’d empty-mindedly grapple with on a dance floor. The seething beats, the sharp edge feel-it all combines for a damn good attempt at Oscar Key Sung’s crown jewel.

 

Snakadaktal-The Sun II (Just Kiddin Remix)

Damn, this song was made to be danced to in a dingy-lit nightclub just off of Oxford Street at 2 in the morning. And that, ladies and gentlemen, is a compliment of the highest order.

Just Kiddin get this remix just right, adding some silky smooth layers of danceability to the track without treading into weird rave territory. With the high hats, wind-in-your-ears synth, and bass line that puts the listener in a funk chokehold, this kind of remix reminds of artists like Touch Sensitive and Kavinsky. And that fucking rules.

 

SBMRGE-Masked

We’ve already heard from Pilerats Records via their debut release of Sable’s ‘Feels So Good’, and the new lable show no signs of slowing down, having just released their third track by an artist known as SBMRGE. Listening to this track, there’s no doubt of the influence of SBTRKT. If you hadn’t picked it up from the name, then just a small snippet of the smoother-than-cream-made-of-silk soul of the track should convince you pretty quick smart.

However, there’s also a little of that Australian vibe through artists like Kilter and Yahtzel. However, with SBMRGE’s smoothness, he trumps those guys brash knob-tweakin’, and comes on top this round. You go SBMRGE!

 

Fielded-City of the Dayzed

At the very beginning of the track, Fielded (aka Lindsey Powell) immediately splits shit up by infiltrating a quiet, timid voice with rushing, raindrop-like xylophone sounds. However, that voice comes back in a big way very quickly, amping itself into some sort of Mariah Carey-influenced brand of The xx. Woah, right?

‘City of the Dayzed’ has just some of the strongest female vocals I’ve heard in a long, long time. If it were behind some sort of cheesy, bullshit thing, this track would’ve both been lost on me, and gone to the top of the Billboard Charts for approximately a week, and thousands of radio hosts would find a way to mispronounce Ms. Powell’s name. Instead, the shuffling, trembling music we get instead provides a lush background that completely allows the song to hit its absolute fucking peak.

New: Electronica Music from Cosmo’s Midnight + City Calm Down + Sable + CEO (free downloads)

So there’s been a bunch of new tunes of the knob-tweaking variety, almost all from Australia, and all very, very gewd. Fuck introductions, let’s hear some music.

Cosmo’s Midnight-Goodnight feat. Polographi

That’s right, a new track from Sydney wunderkids Cosmo’s Midnight. These guys are becoming so buzzworthy right now, its like someone strapped a rocket to their backs and sent them shooting through the blogosphere, smashing taste making website’s expectations left and right.

Their new double A-side is actually abysmally great. I say abysmal, because its doubtful you’ll hear something as good as this for the rest of the year. ‘Goodnight’ is just an onslaught of sounds, moving between a party in zero-gravity and a orgy of sensationalism.

City Calm Down-Speak to No End (Groundislava Remix)

So, by now, you’ve no doubt heard the most excellent new City Calm Down track. Yeah, it rules, we’ve been over this, fast-forward to the present. Groundislava, aka Jasper Patterson, has done a remix, and it adds squelch over some twinkly production. Its a refreshingly hands off approach, and the man from LA (city of broken dreams and shitty actors) shows that you don’t have to add forty layers of production to a track to take it in a slightly different direction.

Sable-Feels So Good

Well, for a debut release, Pilerats sure haven’t held anything back. You probably know Pilerats as the online magazine, but they’ve literally just started up as a label, and their first birthing is the producer Sable with the track ‘Feels So Good’. The track flutters along at butterfly wing pace, and looks just as good. If Passion Pit were turned into a small furry, forest-bound creature and let loose on a Scarface amount of cocaine, and then allowed to play a bizarrely large amount of synths, you’d get something like ‘Feels So Good’. Awesome stuff Pilerats!

CEO-My Liquor

That Kanye West feller had a pretty popular song called ‘Hold My Liquor’ from his recent ‘Yeezus’ album. That much I know. Anyway, some people have decided that they want to have a crack at covering it. Amongst those people are Lorde (you might know about her) and a producer called CEO, which is the moniker for one of the guy’s from Sweden’s The Tough Alliance . Now, damn, the CEO cover is glorious. Its like a gospel choir was funnelled into DJ mixing equipment for a syrupy Spiritualized meets Underworld meets New York indie rock in a single song originally created by an angry rapper.