New: Oily Boys-Rabbit’s Foot (free download)

I wanted to include this in the previous post about new shit, but there was no way I could include it subtly, and there was no way I was going to put a track this good all the way down in the bottom, especially after a bliss-out on the Woods track. No, Oily Boys deserve so much better than that, so they get their own very special post, and maybe an extra 10 words or so. Someone give me a fucking Nobel Peace Prize or something!

Anyway, if you haven’t heard of Oily Boys, they’re one of the saints of all things heavy and detrimental in Sydney. Its songs like ‘Rabbit’s Foot’ that sends WASP mothers running for the hills, begging for 7 inches to be labelled with warnings about thematic nature. Well, good fucking luck untangling the babble of awesome that ferociously bubbles on this track. As the drums pound mercilessly, and the guitar overlaps itself like a racehorse that’s going at the speed of light, but can’t quite figure out how, ‘Rabbit’s Foot’ just gets faster and more furious (but never resembling a Vin Diesel vehicle in the slightest) until its an overblown punk spew. Words don’t really describe how fucking brilliant this track is.

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New: Tape/Off + Girl Band + Forests + White Lodge + Francis Lung (former Wu Lyf) + The Solicitors + Ernest Ellis

New songs are like herpes: you can’t get rid of them, and although they might annoy you at times, they make you a better person. Or something like that. None of these songs are annoying. In fact, they’re all awesome.

Tape/Off-Pedestal Fan

The Brisbane connection for Tape/Off isn’t too hard to listen out for in their new single ‘Pedestal Fan’.  Tape/Off are similar to other Brisbanauts Violent Soho and DZ Deathrays, but slightly more brutal, like an elephant charging through a cymbal shop. The tight snares, semi-bellowed vocals and raucous nature of the song makes people like me tight in the loins. But, despite the noise orgy, there’s a bit of melody shining through, turning your average schizophrenic guitar mess. Although short as fuck, ‘Pedestal Fan’ hits the sweet spot that makes garage and punk fans drool like someone shoved a water balloon down their throats.

Girl Band-Lawman

More cut-throat savagery, this time from Girl Band. The first thing you’ll probably notice about their track ‘Lawman’, is that its really quiet. It starts at a factory-floor pace, chugging along the conveyer belt. All of a sudden, there’s an unloading of squealing, dirty guitar. And it doesn’t stop, just torrents of noise, kind of like what I imagine happens every time Thurston Moore took a shit back in the late 80’s. The song is absolutely beautiful and distorting, taking sudden turns destroying your brain and haphazardly trying putting it back together. When the song finishes, your mind will look like a half-melted candle assembled by a 3 year old with the motor skills of an iguana on crack. Loud, vicious and entirely unpredictable, ‘Lawman’ is fucking rad.

Forests/White Lodge Split 7″

Now, getting slightly more friendly, but not even close to being out of the fuzz zone, its a split 7″ between the glorious White Lodge and a band called Forests. Forests (not to be confused with Forest Swords, or actual forests) are from Taiwan. I know fuck all about Taiwan, so from now on, if anyone asks, I’ll just say that it’s a place in South East Asia where an awesome band called Forests is located. Super-dooper-Koopa-Trooper they are, with a sound that could place nicely in any Ty Segall record. The fuzz overloads on the Forest songs ‘Ego Bender’ and ‘The Fall’ are ripped right from the heart of the current San Fran psych-garage scene, and it could not have been executed better if it were done by John Dwyer himself. The songs are bright, sparkly, and best of all, absolutely keeling over on overdosed acid-tinged guitar freakouts. Fucking brilliant.

Meanwhile, on the other side of the 7″, its Queensland-reppin’ psych lords White Lodge. Interestingly enough, they’ve moved away from the heavy psych, and into the lighter territory of Burnt Ones/Thee Oh Sees styled psych-garage. ‘Her Spell’ hops along at a breakneck pace, the surf-rock verses just a faint illusion that is smashed apart by the grovelling, blood-stained chorus. ‘Flower Eyes’ sees a slight return to the slowed-down badassery, but only at the beginning. It soon divulges to be another fast-paced, speed-laced flower-pop tune like The Black Lips used to make. Regardless, this 7″ needs to be owned by all lovers of anything good.

Francis Lung (former Wu Lyf)-A Selfish Man

I was a massive fan of Wu Lyf, and their self-described ‘Heavy Pop’, and it came as a bit of a blow when they broke up. They were one of the few ‘indie rock’ bands that really challenged the cocoon of sound that most bands had adopted to sell a fuck load of records. Now that the band is a thing of the past, former member Francis Lung has struck out on his own with this debut track ‘A Selfish Man’. There’s a lot going on here, but you wouldn’t know it. Lung manages to compact all the sounds on the song, and weave it into a beautiful little tapestry. And, yeah its smooth as fuck, like Ron Burgundy wearing silk.

https://soundcloud.com/the-solicitors-1/help-me-forget

The Solicitors-Help Me Forget

Power-pop is a genre that more or less faded after the 80’s. There hasn’t been any heaps, heaps ultra gewd power-pop bands that spring to mind that were around after Replacements’ ‘Pleased to Meet Me’, and in my mind, Weezer doesn’t make the cut as an altogether power-pop band. However, The Solicitors are well-placed in that genre beyond any shade of doubt. The positive-ness that radiates off the negative nature of the songs is so unsubtle, its like a warzone of good times. Like their hero Alex Chilton, The Solicitors make the kind of catchy pop that resonates for a while after the song has finished.

Ernest Ellis-Shine Like Me

It seems like Ernest Ellis is always bringing out new shit for his loyal disciples to froth over. That’s not a bad thing, by the way. That’s a really, really good thing. And it just got better, via the track ‘Shine Like Me’. His beautiful vocals drop over a sharp and delicate guitar pattern, whilst bright keys occasionally dance underneath. And then that chorus hits, and boom, you’re hooked like Dustin Hoffman’s character for the 1991 smash hit Peter Pan sequel. ‘Shine Like Me’ is a gratingly brilliant song, that again shows off the amazing skillz of Ernest Ellis.

If you’re keen for more Ernest Ellis, he’s bringing out a new record in March, and will be playing a show at Brighton Up Bar on February 28. Schweeeeeet!

Top 10 Things That Happened in 2013

Okay, just to clarify, this isn’t a list about the best shit that happened in 2013 for music. Although most of it is about some of the really, really great shit that happened, some of it is about some of the bad shit that happened in 2013. That is to be expected, so chin up buddy, dry those tears, and think about the sunny day that Violent Soho brought out their sophomore record, and forget about the time that Miley fucked a teddy bear. 

10. Chapter Music and I Oh You Records (tied)

This has just been such a fantastic year for both these top-notch Aussie record labels. Albeit on opposite ends of the music spectrum, and drastically varying in age (Chapter celebrating their 21st Birthday this year, and I Oh You celebrating their 4th), they have both released some of the best tunes this year, and rightfully won their place in the music community. Chapter Music released a stunning 15 or so records this year alone, with records ranging from the ‘dole-wave’ world-conquerers Dick Diver and The Stevens, to the long-awaited debut album from Primitive Calculators and another new one from The Cannanes. Meanwhile, I Oh You was out there putting on tours for the likes of Earlwolf, Foals (DJ’s) and getting the one and only Neon Love together for a reunion show. If that wasn’t enough, I Oh You also put out another one of my favourite records of the year, Violent Soho’s ‘Hungry Ghost’, and Snakadaktal’s debut record. They also managed to be a bunch of cockteasers and put out tantalising singles for City Calm Down and DZ Deathrays. If these labels can keep the pressure, there’s no telling how 2014 will end up.

9. New Shit From Bands That Haven’t Released Shit In A While

Beware, I’m not talking about bands that reformed, or broke their hiatus. I’m talking about bands that have never broken up, but have been ‘illin on the fringes of musical society, just waiting to return to form with strident singles. The aforementioned DZ Deathrays, Straight Arrows, HTRK, The Avalanches, Royal Headache, Seekae-just a few of the bands that blew us away with stand alone releases that said, “Fuck you, we’ve still got it.” If you haven’t checked out any of these singles…do it, you unintelligible ape!

8. Shitty Albums That People Thought Would Be Way Better Than They Actually Were

Ooooh, the first hot topic! I’m not just talking about Daft Punk here, there were so many built up albums this year that fell flatter than an ad campaign for Vaginal Warts. Arctic Monkeys, Sebadoh, No Age…just a short list of albums I listened to that I wish I hadn’t had, so I could dedicate more time to wistfully thinking about making sweet love to Robert Pollard. But that’s not even scratching the surface of bands like Cloud Control, Cults, Weekend, Soft Metals, Obits and Franz Ferdinand. A lot of bands that I was expecting to deliver stunning results returned with meagre offerings that either cruised along on the strength of predecessors, or worse, fucking sucked.

7. Solo Projects

For me, the term ‘solo project’ is a bit of a dirty word. Most of the time, they’re warning stories for the over-eager frontmen and women. Just ask Johnny Borrell, Johnny Marr or Noel Gallagher…if your album isn’t awesome, you kind of lose all credibility,and come off looking like a wanker. But luckily, there was a whole swag of Australian artists that went out on their own and wandered out as deadset legends. Nathan Roche, Angie, Kirin J Callinan, Geoffrey O’Connor, and Alex Cameron are just a couple names that released some stellar records this year that only get better with repeat listens. No point getting too much into it, just go fucking listen to them yourself. Trust me, these records are more on the Bob Dylan side of the solo spectrum, in terms of awesomeness.

6. Boutique Festivals

In a year where shit is getting fucked up ALL over the place for major music festivals, whether it be the gargantuan amount of drug related arrests, Blur cancelling on Big Day Out, or AJ Maddah telling people that their favourite bands suck tremendous amounts of horseshit, major festivals are becoming more and more fucked. I can’t tell you how pissed I was when I missed the chance to see Massive Attack, Superchunk, Black Rebel Motorcycle Club and Neutral Milk Hotel all in the same place for Harvest festival, only to see it collapse before my very eyes. And lets not even touch on hip-hop festivals this year, with Rap City, Supafest, Movement all being cancelled.

However, with the absence of ya boiz 50 Cent and T.I, boutique festivals have continually outshone their counterparts. The ‘original’ boutique festival, Laneway, has gone international, and their 2013 edition was fucking awesome. Japandroids, Divine Fits and POND all left massive dents in my brain, right were the pleasure centre is located. Other festivals like OutsideIn, Strawberry Fields and the upcoming, sold-out Secret Garden festival (which frankly has the most amazing lineup I’ve ever seen) continue to dominate. Oh, and Sound Summit was one of the most pleasurable and unique experiences of my entire life, a smorgasbord of musical delights that will probably never be collected in the same period again. Fuck me, if boutique festivals become a thing, how the fuck will yadda yadda capitalism, Soundwave, Nova 969, joke, haha.

5. Reformations-the fucking shit and the not-so-shit

Firstly, let’s talk about Black Flag. Maaaaan, did they fuck that one up. One of the all time greatest punk bands became a petty squablling bitch fit of the highest order, and at the end of it all, once-stoked fans where left with an album called ‘What The…’, which compromised of a bunch of piss-take ‘punk’ songs and an album cover that looked like ClipArt threw up. They fucking fired Ron Reyes onstage! Black Flag aside, bands that also wanted money to buy that brand-new toaster and reformed included Boyzone, The Backstreet Boys and Girls vs. Boys. It reads like a list of who-gives-a-shit.

However, on the plus-side, Jurassic 5, Philadelphia Grand Jury, and Powder Monkeys all put aside differences and got stuck into some gigs. And by some miracle, the mother fucking Replacements got together again! What! That’s amazing! I nearly blew a load when I heard that!

4. Electronic Music???

Electronic music has had a confusing year in 2013. On the one hand, there has been some absolutely froth-worthy local shit that has gotten tails wagging and genitals exploding. Touch Sensitive, Wave Racer, Cosmo’s Midnight and Hayden James have had stellar years, and underrated labels like Future Classic, Silo Arts, and Yes, Please have all shot to national attention, like synth induced erections. And let’s not even bother to touch on Flume-that guy gets enough deserved praise.

But in terms of mainstream music, the result has been mixed like a cocktail served by a squirrel with Parkinsons. Of course, Disclosure released that pretty killer album. But the likes of hardstyle trap from the likes of Baauer and DJ Snake, and the legions of mindless DJ’s that trample our radio waves that release forgettable single after another dilutes a lot of the mainstream appeal of electronic music. Not even new albums from Jon Hopkins, and Boards of Canada, or the embracing of the genre from indie rock icons like Arcade Fire and David Bowie, could distract from the likes of Knife Party destroying decent music. Although it is undeniable that electronica had a killer year on the local front, its better to forget that other shit happened outside of our shores.

3. Debuts

Face it, a lot of debuts came out in 2013, and they all rock me better than a hurricane. International props to the likes of Savages, FIDLAR, Eagulls, HAIM, Jackson Scott, SQURL, HUNTERS and Atoms For Peace. But that doesn’t even come close to the amount of talent that pooped out shining nuggets of debut gold this year in Australia. TV Colours, Gooch Palms, Bad//Dreems, Food Court, Bed Wettin’ Bad Boys, Zeahorse, Bloods…the list goes on…and on….and on. Batpiss, Clowns, Amateur Drunks, Reckless Vagina! Unity Floors, Day Ravies, The Stevens, SMILE! These are just a couple of my favourites, but you get the idea. There was a fuckload of bands that popped their cherry and the collective music community lost their shit. Blood was everywhere.

2. Miley Cyrus and the Death of the Child Star

Look, I actually don’t hate Miley Cyrus. I think her music sucks, her taste is awful, she acts and sounds like a spoiled brat and is a living cumstain, but she’s actually the perfect pop star that this generation needs. She’s like The Dark Knight of shitty, over-produced music. And good for her for completely shaking off the goodie Hannah Montana image.

But therein lies my point. The Jonas Brothers broke up this year, the Biebs has conveniently spray-painted, prostituted and retired (?) his way into a ‘bad boy’ image, and we all saw Miley nearly fuck Robin Thicke onstage at the VMA’s. Right now, there isn’t really a glistening child-star to sell t-shirts. Even Lorde, the youngest pop star of the moment is more grown up than the majority of twenty year old hipsters that infect her concerts just to say they saw ‘Royals’. She hung out with fucking David Bowie and Tilda Swinton for her birthday party!

Regardless, 2013 saw the Death of the Child Star, a feat that should both cause us to all be thankful, and astonished.

1. Local Garage Rock Hit a Fucking Peak

Garage rock, my favourite genre, has well and truly hit its peak at the moment, and shows no signs of declining. Seriously, attend any bar in any capital city in Australia, and there’s a 1-in-3 chance that there’s a garage rock band giving it 100% and blowing minds.

Not only is the live scene of garage rock well and truly at a high point, but the albums these bands are making are astoundingly good. Palms and The Gooch Palms released underdog debuts that blew everything out of the fucking water like a land mine in a kiddy pool. TV Colours took the usual formula and added dashing synths and samples to create a tale of fucked-up-ness that’ll have you massacring penguins just to get your hands on some more. And Bad//Dreems single handedly resurrected the sound that was left behind where GOD put it.

Outside of debuts, garage bands that have already established themselves continued to push shit further into the realm of amazeballs. King Gizzard & The Lizard Wizard, Witch Hats, Ooga Boogas and fuckloads of others continued to do what they do best-ensure that we, the shitstains of musical society, are enjoying their output more than humanly possible.

As if that isn’t enough, there’s new garage bands springing up all over the place, and the sound still hasn’t been tired out. Bands like Doctopus, The Living Eyes, Tiny Migrants and Adults are just a very small handful of the concoction of rock n roll music that is permeating our ears on a local level. If you haven’t done so, check out all of these bands and more.

We are living in a renaissance of the greatest form of amatuer music in all its forms, and the least you can do is contribute in some small way. 2013 was one of the best years for Australian music, garage and rock n roll specifically, because finally, all the years of hard work that these bands have done has started to pay off exponentially in fantastic records and performances. Get along to a show, buy a record, and ensure that 2014 means that local music is better than the last shitstain of a year.

Video(s): Scott & Charlene’s Wedding + Oscar Key Sung + Jon Hopkins + World’s End Press + Ariel Pink & Sky Ferreira + Kramies

Videos. Joke about MTV. Slight snicker, or at the very least, you breathe more air out of your nose than usual. With the introduction done, a small segue is used to seamlessly transition into the article, the reader satisfied by the author’s air of originality.

Scott & Charlene’s Wedding-Charlie’s In the Gutter

By now, you’d know Scott & Charlene’s Wedding as that super awesome dole-wave band that’s part Melbourne, part New York City. On ‘Charlie’s In the Gutter’, there’s that traditional slacker vibe of rejecting bullshit that Craig Dermody does so well, but there’s also a little more electricity in the guitar. Meanwhile, scenes from the life you wish you had flash by in the video.

Oscar Key Sung-All I Could Do

The rhythmic wizard that is Oscar Key Sung proves why he’s one of the most enchanting producers in Australia right now with ‘All I Could Do’.A little bit xxyyxx, a little bit Jon Hopkins, it swishes around on those little stilts of synth magic. But Key Sung’s own voice of melted chocolate and his compatriot on the ‘hmm’ sample make this song more delicious than an explosion at the cotton candy factory.

However, the video really takes centre stage here. Its like an exploration into African tribalism and unused Hollywood sets. Starting out with 80’s glitch leftovers and moving into a cloud-covered Coliseum, this video is both trippy and alluring.

Jon Hopkins-Collider

Speaking of Jon Hopkins, its Jon motherfuckin’ Hopkins. In the spiritual video sequel to The Prodigy’s ‘Smack My Bitch Up’, ‘Collider’ shows the dark underbelly to all that trancey stuff your kids are listening to. Look, there’s a party going on here, but its so violent and diluted by other forces, you wouldn’t know if you’d actually go there. The music just accelerates the unease, Hopkins’ signature shuffling minimalism that comes off screaming harder than any Bring Me The Horizon track.

World’s End Press-Drag Me Home

Aaaand, we’re back in Australia, by way of Melbournites World’s End Press. These cool fucking cats released their debut self-titled earlier this year, and although I haven’t had a chance to check out the entire thing, what I have heard has been pretty mindblowingly great. ‘Drag Me Home’ is that case closed. Like their contemporaries Jagwar Ma, World’s End Press fully embrace the style of Madchester  love, bringing the half-rave, half-cheesy love song format that made Happy Mondays so famous.

As is par for the course of a World’s End Press video clip, a whole bunch of interesting shit happens. There are scantily clad women, nerds, fingernails and unnaturally stretchy spines, all bathed in sleazy neon lights.

Ariel Pink & Sky Ferreira-My Molly

Man, this is a team-up that makes one question why the fuck it didn’t happen sooner. If Sky Ferreira wasn’t going out with the main dude from DIIV, she should have totally hooked up with Ariel Pink aka the greatest, weirdest musician this planet has right now (slightly above Dan Deacon)  because this energy is what the world needed after Sonic Youth stopped being cool weird, and got French weird.

The New York chic sheen that covers this track pokes through the grime, and the drug-fuelled, fuck-you charged ‘My Molly’ becomes a little jail cell for Pink and Ferreira to jump around in and do their best Courtney Love impersonations. The video is pretty akin to that description, lots of lazing around, staring into the camera seductively and acting like Runaways-era Joan Jett.

Kramies feat Jason Lytle-Sea Otter Cottage

And finally, ‘Sea Otter Cottage’. This one is a tad quieter and less vibrant than the previous entries, but no less amazing. Kramies bring the melancholy poetry hard and fast on their drooping miser ‘Sea Otter Cottage’. Every time you think the track’s about to fall, it is suddenly picked up by some new instrument, like macabre organ chords or vaudevillian guitar. Perhaps its the influence of Jason Lytle of Grandaddy fame that muddles and murkies their sound, but it comes off fantastically.

Video: SKATERS-Deadbolt

SKATERS are a punk band from New York City that don’t give a fuck about spelling things gramamtically. If they want to caps lock shit, they’re gonna caps lock shit.

On their single ‘Deadbolt’, there’s really two distinct sides: the Billy Idol ‘Rebel Yell’-like verses that show a band creeping towards something explosive, and then the chorus’, which pay out that explosive cock tease. Overall, some pretty awesome Saturday night rock n roll.

New: Electronica Music from Cosmo’s Midnight + City Calm Down + Sable + CEO (free downloads)

So there’s been a bunch of new tunes of the knob-tweaking variety, almost all from Australia, and all very, very gewd. Fuck introductions, let’s hear some music.

Cosmo’s Midnight-Goodnight feat. Polographi

That’s right, a new track from Sydney wunderkids Cosmo’s Midnight. These guys are becoming so buzzworthy right now, its like someone strapped a rocket to their backs and sent them shooting through the blogosphere, smashing taste making website’s expectations left and right.

Their new double A-side is actually abysmally great. I say abysmal, because its doubtful you’ll hear something as good as this for the rest of the year. ‘Goodnight’ is just an onslaught of sounds, moving between a party in zero-gravity and a orgy of sensationalism.

City Calm Down-Speak to No End (Groundislava Remix)

So, by now, you’ve no doubt heard the most excellent new City Calm Down track. Yeah, it rules, we’ve been over this, fast-forward to the present. Groundislava, aka Jasper Patterson, has done a remix, and it adds squelch over some twinkly production. Its a refreshingly hands off approach, and the man from LA (city of broken dreams and shitty actors) shows that you don’t have to add forty layers of production to a track to take it in a slightly different direction.

Sable-Feels So Good

Well, for a debut release, Pilerats sure haven’t held anything back. You probably know Pilerats as the online magazine, but they’ve literally just started up as a label, and their first birthing is the producer Sable with the track ‘Feels So Good’. The track flutters along at butterfly wing pace, and looks just as good. If Passion Pit were turned into a small furry, forest-bound creature and let loose on a Scarface amount of cocaine, and then allowed to play a bizarrely large amount of synths, you’d get something like ‘Feels So Good’. Awesome stuff Pilerats!

CEO-My Liquor

That Kanye West feller had a pretty popular song called ‘Hold My Liquor’ from his recent ‘Yeezus’ album. That much I know. Anyway, some people have decided that they want to have a crack at covering it. Amongst those people are Lorde (you might know about her) and a producer called CEO, which is the moniker for one of the guy’s from Sweden’s The Tough Alliance . Now, damn, the CEO cover is glorious. Its like a gospel choir was funnelled into DJ mixing equipment for a syrupy Spiritualized meets Underworld meets New York indie rock in a single song originally created by an angry rapper.

New: HTRK-Give It Up (free download)

Oh shit muffins, there’s some official new HTRK. Fans of the disturbingly dark rejoice!

‘Give It Up’ is the first single off HTRK’s third record ‘Psychic 9-5 Club’, which is going to be released in April next year (It’s going through Ghostly International in the USA! That’s the same label as Shigeto and Gold Panda!). Now, HTRK were always ones to experiment with new sounds and cover new musical ground, but whereas you’d be used to soaring guitar loops and occasional squal in their previous two releases, ‘Give It Up’ rids itself of that. Instead, there’s a more defined, limber approach, like Portishead.

If you imagine a sea mammal just slowly drifting through the ocean, not really alive, not really dead, unmoving and caked in sorrow…that’s the picture you get from the sadness that resonates on this track.When Jonnine Standish says ‘This time…I’m gonna love you much better’, you can actually feel your emotional glands working overtime. Very beautiful, but more heartbreaking than repeat viewings of Schindlers List.

Video: Bachelor Pad-Fried

Guess what? Bachelor Pad have a debut album coming out in January. And guess what even more? They have a single/video for it out right now? And guess what even more, even more? It’s so fucking amazing, your head is going to fucking explode.

That’s right. Fucking explode. ‘Fried’ delivers optimum results for such a task-fuzzy guitars careening into your skull, an wall of electricity just pounding away, and a chorus that screams with a sentiment we’ve surely all been through! It’s brilliance!

New: GUM-Growin’ Up (free download)

GUM is one of the many, many projects associated with Tame Impala, that small band from Perth that fucking blew the world away. This time around, the project is from Jay Watson, who does keys/vocals in Tame, and has kicked a bunch of fucking goals with POND.

Just like the name would suggest, GUM’s music swirls around and around in your mouth, penetrating you with flavour, and making you slightly more kissable. GUM is sticky, tangy and you can never get enough of it. Also, smokers (the ‘herb’ kind) love GUM.

‘Growin’ Up’ is not all that different to the other songs that Jay has put out under the GUM name; sighing, mouldy psychedelica that hits all the right nerves. And because it hasn’t changed all that much, there’s no reason to not like it. Thanks for the free download!

New: Jesse Davidson-Big Bois Gotta Eat

Although you might be expecting something along the lines of ‘Fuck OutKast!’ or ‘Big Boi’s Fat hardy har har!’ (personally, I don’t understand why you would make that judgement, as OutKast are awesome) instead you’ll get some truly tranquil sounds from Jesse Davidson.

The kid was a finalist in last year’s Triple J Unearthed High, and then basically disappeared. But instead of chucking a Matt Corby a shelling out derivative indie tunes for the twelvie masses, Jesse Davidson has gone for the way better shoegaze-y, post-college rock route. Similar to Bearhug, the waves of noodling guitar and mysterious sounds on this track build behind this guy’s voice for an ultra-positive effect.