New: Weak Boys – Suffer For You Art


Pioneers of dad-rock and living embodiments of Principal Skinner, Weak Boys return from their smash hit debut album [sic] with a cassette of covers. But this isn’t the bullshit that Barnesy pulls out every couple of years because DIAMOND ENCRUSTED SHITTERS DON’T PAY FOR THEMSELVES. No, Weak Boys have actually compiled a few covers by actually decent bands.

There’s contributions from Adelaide’s Hit the Jackpot and Brissy’s Extrafoxx, as well as Benjow’s “Fell In Love”. But the standout here is easily “I Like Beer”, a song that, although not written by any of the WB crü, feels specifically made for them. With lyrics about how people who don’t like beer can get fucked (seriously though), “I Like Beer” fits in well with the rest of Weak Boys shambling, lo-fi canon about shitty landlords and shacking up with Diane Keaton.

If this is your first exposure to Weak Boys, do yourself a goddamn favour, and buy their record ‘Weekdays/Weekends‘. Eight months on, this album is still a huge winner. Also, they’re going to be playing with Wireheads/Day Ravies/Thigh Master at The Union on August 21st.


Local Legends Records

Local Legends Records is a new record label that you should give a shit about, because they’re awesome.

After inhaling that sentence, here’s why:

1. It’s run by Jack Lee and Mikey Branson. Don’t recognise those names? Get familiar with them, they’re heroes of the local Sydney scene, belonging to the almighty Beef Jerk, as well as a couple of other bands. Jack Lee also put out an amazing tape on Osborne Again, featuring this track, ‘The Last Chiko Roll’

Seriously, this song has the songwriting chops of Nick Cave, and the delivery of Stephen Malkmus, all rolled into the purely ‘Strayan metaphor of being the last Chiko roll in Australia. Must feel tops! I trust this man to deliver good music, and you should to.

2. All their stuff is going to be coming out on cassette tapes, which basically narrows down the audience to people that still give a shit about forgotten mediums. It also means that the music automatically qualifies as a lo-fi DIY project with zero projections of world-wide acclaim, and therefore taking the pretentious dick factor down to a solid nothing. Also, listening to cassettes rules, the fuzzy, warm sound you get from cassettes is second to none.

3. They’ve already released 3 records so far:

3a) The Revisionists-Potts the Point: An anti-supergroup of Sydney’s best muso’s (Nathan Roche, Sam Wilkinson, Lani Crooks, Dean Adam, Jack Lee, and Tristain Price) who’ve gotten together and released a shambling homage to a short-lived Sydney punk band called The Revitalists. Look, I’ve never heard of them either, but this rag-tag team of superheroes make it worth a listen, just for the rambling, sidelong drawls of Roche and the harsh kicks of the guitar. Like a hoof  to the head from a horse this stuff is. Let’s hope they stick around for ‘Doesn’t Cabramatta’.

3b) Bad Guys-J2K#12: A seriously enjoyable concoction of rock n roll that forgot to give a fuck on the way into the Mad Dawgz Club. You know that sound soup makes when you splat it into a bowl, and it smears that perfect white porcelain into something that’s about to be delicious? That’s what every note the Bad Guys make sounds like. It’s sloppy and irreverent, but that’s the charm.

3c) Luke O’Farrell-Unrealised Demos (2005-2009): These will probably go down in history as more collectable than anything, but it’s still something well worth checking out. It’s a bunch of stuff that Luke O’Farrell from The Laurels and Broadcasting Transmitter fame. There are some solid shoegaze highlights on here, especially ‘May God Save Your Soul’, which is like if MBV’s ‘Only Shallow’ was slowed down a million percent. ‘Kaleidoscope’ is also a hefty ball-tripper of a number, wrestling 60’s love with some glorious guitar work. Ramshackle, for sure, but still worth a listen, if only to immerse yourself in the realisation that Luke O’Farrell is a goddamn genius.

That’s pretty much all I have in regards to convincing you, dear reader, to get behind this new label. Sure, it’s a self-described low-risk investment, but unless your a tool, there’s an 80% chance you’ll be getting your moneys worth with these tapes.