Adelaide’s Oisima is one of, if not the most, promising producers in Australian music right now. But Ryan you ginger shit-filth, I hear you cry, Oisima has been dominating the scene for, I don’t know, forever! Yes, I’m late to the party, but with a new single to flaunt (available for free right here), I thought I’d do a review of his second EP, ‘Goddess’. Its mindblowingly austounding how fucking good hip-hop beats with Middle Eastern flavour and a little trickling of talent can take things. The answer is to: to Alderaan and back.
Compromised of mostly instrumental beats that gloriously slide and overlap each other, the ‘Goddess EP’ is a sample namesake, something that should make DJ Shadow fans wet their fingers and clear out their ear canals in surprise. If DJ Shadow as Muhammed Ali, then Oisima is his Joe Frazier. Whilst DJ Shadow is uncompromising in his audio assualt, Oisima takes a more spindly route, wining and dining the listener, seducing them with various lush tracks until bam! You’re his number one fan.
At least, that’s the process of the first half of the EP. ‘Where the Light Is’ is a super small and tight-knit thing, forgoing extravagance in favour of touching all the right bits and bobs. After establishing himself, the listener is treated to some more left-of centre stuff on ‘Glow (feat. Adam Page)’. It certainly is a glowing track, that emanates a strange otherworldly warmth from the centre, and it would be as amiss as a bull without horns not to mention to smooth sultry saxaphone on the track. It’s goddamn sex. I feel like something non-consentual has taken place after hearing ‘Glow’, but the Motown meets minimalism electronica is too good to complain. Then comes the boom, bang, bop! the exclamation that frightens and entices, with ‘That Lovin’ Thing’. It starts bubbly, but slowly and assuredly gains the confidence to break into a Shlowmo mix, that eventually morphs into a drone-y accusation. If being yelled at by a girlfriend was minimalist Australian techno, it would be this.
Remember, the last few songs I’ve described are only the first half of the EP. There is still more of the same shuffling, voyeuristic and slanted stuff to be found on the remaining EP. That’s not to say that the rest of the stuff sucks, or is even bad. In fact, it’s the exact opposite-Oisima continues his brilliance throughout the EP, a swarming, buzzy energy that adamantly persists regardless of what song it is. Whatever song is playing, you’ll feel an unnatural sense of calm wash over you, and a supernatural love for the music of Oisima.
I’ll say it right now: Oisima is going to be the next big thing, not just in the Australian scene, but internationally. I can see him headlining shit with the likes of Nosaj Thing, Cashmere Cat, XXYYXX and all those other dudes. His brand is unmistakable, sexy and flowing like the dress of a Greek Goddess. Never mind the fact that sounds pretentious as all fuck, but if your any sort of chilled person that enjoys a little electronica here and there….get this EP. GET IT NAOW!
You can stream the ‘Goddess EP’ of which I just described right here, as well capture his brand new single in the Pokeball that is iTunes, from his Bandcamp right here. You can catch him at Tatler’s, Kings Cross on August 15th, or Outside In Festival on September 21st.