If ‘Different Days’ is any indication, and by all that is holy on this Earth do I hope this plays out, it looks like The Men are about to chuck a Deerhunter. If they did that, I would probably erupt in happiness, along with just about fucking everyone else with common sense. The album cover for ‘Tomorrow’s Hits’ shows a neon sign, and Deerhunter’s masterpiece of last year shared that feature, so all looks like a parallel is pulling through. The Men are renowned for being one of the most versatile of punk bands, and ‘Different Days’ sees the band harnessing their inner Springsteen. Prayers have been answered, this is fucking awesome.
Yes, it has come that time of year where every website dedicated to some form of culture has a round up of all the good shit of the year. Well, because I’m susceptible to trends, I’ve decided to weigh in as well. With the power of hindsight, I’m going to give my Top 10 records of the year, from overseas. Now, believe me, that’s a hard fucking job, more of a curse. There’s been some great records, some average records (Black Angels, Mudhoney, The Strokes) and some very disappointing records (Arctic Monkeys, Sebadoh, Yeah Yeah Yeahs). And now comes the time to rank them.
Special mentions to the records that were awesome but not super, amazing awesome: Ty Segall, FUZZ, Diarrhea Planet, Death Grips, Cage the Elephant, MGMT, My Bloody Valentine, Deerhunter, Mikal Cronin, Majical Cloudz.
ALSO: Parquet Courts would have most definitely been included in here, but although it was released locally this year, it was officially released last year.
SUPER SPECIAL ULTRA BONUS METAL INCLUSION: Kvelertak-Meir:
Kvelertak wouldn’t really fit in anywhere else on the list, but their sophomore record ‘Meir’ needed to be included. Just super thrashy, fucking mental to the bone, and more hair-raising than an orgy with horror movie characters, ‘Meir’ is one hell of a record. Kvelertak certainly do justice to their Norwegian metal roots and blast our minds out of our skull on this record.
10. Thee Oh Sees-Floating Coffin
Sure, Thee Oh Sees didn’t do anything super different on their latest album. There wasn’t the psychedelic smorgasbord of ‘Warm Slime’ or the freaky ecstasy of ‘Help’. But ‘Floating Coffin’ certainly ticked all the boxes for a diverse and entertaining listen. Really, John Dwyer can’t do anything wrong when it comes to music, and ‘Floating Coffin’ is evidence of that.
Deerhunter make nocturnal-pop music, light enough to chat along to, but dark enough to put you in an existential mood if you listen hard enough. Shrouded in voodoo and jangly guitars, ‘Monomania’ is absolutely fucking awesome to listen to, and will probably never cease to be. Who knows what was happening to Bradford Cox when he was making this album, but his pain has become our pleasure. How very schadenfreude.
8. Savages-Silence Yourself
Not since The Slits has there been such a ferocious, dedicated and focused female-led band. Yes, I’m well aware of Sleater-Kinney and L7, and I do love both those bands. But Savages brought a rawness to their post-punk that is rarely seen in any music nowadays, let alone feminist affliction. The vicious and tantalising nature of every song on their debut record is refreshing and brutal, and I am fucking stoked to be able to see them next year at Laneway.
7. Wavves- Afraid of Heights
I was so excited for this album to come out, I actually counted down the days until it was out so that I could feverishly jam pack all the songs into my brain. I was so worried that the album wouldn’t be good, I actually lost sleep over it. Luckily, Wavves didn’t chuck a Rise Against, and made a fucking belter of an album right on the cusp of mainstream appeal. A complete distancing from their noise-rock roots and stoner fuzz, Wavves presented themselves with a new-grunge outlook. Angst-ridden and self-deprecating to the core, as well as being loaded to the brim with catchy as fuck tunes, ‘Afraid of Heights’ is definitely a worthy successor of 2010’s ‘King of the Beach’.
6. Washed Out-Paracosm
For 2013, Washed Out were my pick of the bunch of electro wonders (?) of the year. CHVRCHES? Shit. Disclosure? Pretty shit. Youth Lagoon? His new album is so terrible mediocre. And the rest aren’t really worth mentioning. But Washed Out added a whole new layer to chillwave, adding naturalistic textures to his already spread-eagled tunes. ‘Paracosm’ simply let itself flow, flow and flow some more, barely even trying to give the most relaxing sensations this side of ancient Nicaraguan healing medicine.
5. Bass Drum of Death-Bass Drum of Death
I never understood why bands self-title shit after their first EP or album, but as long as its Bass Drum of Death as opposed to Birds of Tokyo, I couldn’t really give a shit. This album encapsulates awesome rock n roll. Its a scuzz overload, way-over-the-top and totally brain dead. It sounds as though John Barrett went into the studio and created the most deranged but beautiful collection of tracks he could. That being said, the album is chock full of catchy tracks that will have you gleefully headbanging into the sunset, like some sort of leather-jacket snotty cowboy.
4. Kurt Vile-Walking on a Pretty Daze
If you’ve ever listened to Kurt Vile before, you’ll know that he exceeds the description of chilled. The guy is like the most relaxed person on the entire planet, a combination of Ghandi with Mathew McConaughey’s character from Dazed and Confused. On his latest record, which is more like a magnum opus, Vile stretches the limits of his imagination, nailing his forlorn sound and breaking hearts one bar at a time. Fuck, this is such a good record, and Vile doesn’t even have to try.
3. Future of the Left-How to Stop Your Brain in An Accident
Future of the Left and Falco are probably the last real ‘punk’ entities left on the globe. There is no other act with the political rigour and viciousness of this band. In every song on ‘How to Stop Your Brain in An Accident’, Future of the Left are committed to waging war against all factions of contemporary society, whether it be bullshit pop culture, religion, false idols or sexuality. This record will tear your fucking head off, shit in the bloody cavity that remains, and still call you a bitch for not moshing to its glorious tunes.
2. Fuck Buttons-Slow Focus
The double-LP extravaganza of Fuck Buttons’ third record is enough to floor the casual listener. If you walk into its abrasive trappings unprepared on a physical, mental, or existential level, this album will decapitate you and leave you for dead. However, for those that can handle the challenging nature of the tracks, oh, how you will reap its prosperous rewards. Every song swings into a new galaxy of sci-fi, tribal beatings, engaging every sense and making you a better person from it. ‘Slow Focus’ is just one fucking brain-basher of an album, in all the right ways.
My love affair with FIDLAR is an unhealthy one to say the least. Every time someone asks for an album recommendation, I claw their face, grapple their shoulders and scream, ‘FIDLAR! GET THE FIDLAR RECORD!’ until I can scream no more. Needless to say, I don’t have heaps of friends left. But that’s OK (?) because I have the FIDLAR record. Its a loose and reckless thing, the record that lurks at the back of the skate park, covered in tattoos, drinking something awful, and smoking a cigarette that doesn’t smell like a cigarette at all. The songs are full-paced, thrashing pieces of raw garage rock, inspired from everyone from Black Flag, to The Stooges, to Nirvana. This is a perfect album in every way, and will never die in the hearts of those that enjoy the best garage rock this globe has to offer.