Two ATP Recordings reviews in one week? Gee Whiz that’s a lot! Not it’s not you patronising fuckwad, ATP put out some of the best shit on this planet. You heard the SQURL EP? That shit was balls deep in amazing, helped along slightly by the fact that Jim Jarmusch was in the band.
What was I saying? Oh yeah, the new Hebronix album. A little history lesson for those struggling with Trials at the moment (a list that includes myself-damn you standardised testing!). Hebronix is the moniker of Daniel Blumberg, who used to be in Cajun Dance Party, and Yuck. You probably know Yuck as being one of the coolest bands of the past couple of years. You are not wrong. However, Blumberg has left that group, and now most of the creative energy is focused in this new, Greek-hero-sounding project Hebronix.
As Yuck is to Pavement, Hebronix is to Elliot Smith. It seems that Blumberg just can’t get enough influence from critically lauded bands. Even though this album is super Smithy, it’s also got some other shit in there, like Neil Young, Bright Eyes, and Sparklehorse. So, yeah, it would be fair to say that ‘Unreal’ is like an indie orgy of some of the best acts of the past decade, all tied up with Blumberg’s stunning voice. It’s a soaring masterpiece of the melancholy underachiever.
The first two tracks, the 10 minute ‘Unliving’ and ‘Viral’ are excellent, but the album really hits its stride on ‘Wild Whim’. The lyrics of ‘Your the girl I se in my recurring dream/the girl that took the time to learn the tambourine/your the girl that doesn’t give a fuck about anything’ may or may not go in the box for best guilty pleasure/beautifully cliched lyrics of the year, something that The Kooks wet dream about. Then there’s the serene descending solo that balances out agains the fuzz like a careening drunk on a New York Sunday night. ‘Wild Whim’ is an astonishingly beautiful track that is by far the highlight on the album, something you can play whilst philosophising on a bus on a rainy day. In fact, I guarantee a Pitchfork employee is doing that somewhere in the world right now.
The rest of the album never quite reaches the lofty heights of ‘Wild Whim’ but it comes damn close. Earthy and lightly wafting ‘Unreal’ sheds a tear, ‘Garden’ digs in it’s heels and bares it’s Dinosaur Jr. teeth, and ‘The Plan’ is a delightful mash of the quaintness of Bright Eyes with the heart-on-sleeve of Built to Spill. Musically, ‘Unreal’ is a top fucking notch. However, most of the songs seem to drift for maybe just a tad longer than they necessarily should. One 10 minute track is asking quite a lot already, but when everything bar one song is far beyond the six minute mark, Blumberg is certainly asking a lot of patience and dedication from an average listener keen for a geez of entertainment. It’s like wanting to see the Bearded Lady and ending up watching Cirque Du Soleil. Sometimes it’s just too much.
So yes, whilst Daniel Blumberg might have crafted one of the best listening albums that the snobby music fan will champion, (myself included), sometimes it looks like it might just be a bit too much filler and not enough ‘Wild Whim’ to entice the middle of the road Yuck fan. Still, it’s undeniably good shit, and an obnoxious round of applause is in order to Mr. Blumberg for ‘Unreal’.