New Electronica: Rainbow Chan + Dro Carey + Broadway Sounds + Ara Koufax + Kllo + OCDANTAR + Cliques + TEES

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If you head to the club tonight, and the DJ doesn’t drop one of these sick beats, then sorry, you went to the wrong club and your DJ sucks.

Rainbow Chan – Last

Rainbow Chan recently dropped “Nest”, the first single from her upcoming debut album, which showcased an even stronger willingness to incorporate all those pop leanings hinted at on her first few tracks. Now, “Last” doubles down, with rippling pools of synths spurred on by constantly evolving percussion from chimes to spliced hi-hats. Plus, there’s a chorus in there that was surely custom-made in a pop warehouse featuring a cast of ex-Destiny Child’s ghostwriters. That syrupy “Honey, honey” chant is enough to melt steel beams.

Dro Carey – Dark Zoo EP

Dro Carey has to be one of the most impressive electronic artists in Australia, right? He’s been doing that sort of complex and paranoid take on UK Garage for a few years now, but this EP sees a new extension to the Dro Carey dynamic, with a Kucka collaboration that showcases his poppies stuff yet. Still, “pop” is a loose word for “Queensberry Rules” – it’s still murmurs and bubbles with a twisted aesthetic. The EP also features that stellar single “Grow Lithe” – like a migraine pulsing underneath your skull, this thing distorts aggressively; a surefire way to keep a dance floor contorting at 3am.

The Dark Zoo Ep officially drops next week on the 20th via Soothsayer – plenty of other hits on there, so get on it.

Broadway Sounds – Exclusive Love/Digital Influence

Broadway Sounds are heading to Glastonbury! How great is that!? But also, not in the least bit surprising, considering their constant stream of good-time funk/electronica/disco/afrobeat/fuck knows banger salads. Just listen to “Exclusive Love/Digital Influence”, a song that can’t sit still for a millisecond. It jumps around upon a perky, unpredictable spray of disco synth that bathes in the titular commandment of “EXCL-USIVE LOVE / \ DIGITAL INF-LUENCE”. This song is an authoritative gesture from the Gods of Getting Down, and who are you to deny them?

Ara Koufax –  Kissy Fits

As soon as “Kissy Fits” kicks off, it becomes clear that you’re in for some jaw-clenched, fists-bundled techno. Ara Koufax stretch tension over their six minutes, chewing on football samples and murderous beats. It’s heavy stuff that remains menacing and intensive, but never overextends into something cartoonish.

Kllo – Bolide

Kllo are back with an extra letter and a serene new single in “Bolide”! The team up between Simon Lam (I’lls, Nearly Oratorio) and Chloe Kaul has just gotten hypersensitive – this is the kind of song you put on after you fall asleep in the sun, and end up with third degree burns all over your body, and you need something even more soothing than mere Aloe Vera.

OCDANTAR – Time in Flux EP

The solo project of Josh Delaney (Rat & Co, SMILE, Smooch Records Co-Head Honcho) has just put out an EP of slow-burning, Jon Hopkins-esque atmospheric electronica. It’s slow, sparse and beautiful stuff, full of texture. If it were a .jpeg, we’d call it high-res, a bare minimum of 300 pixels. The biggest highlight has to be “Sad Child”, a crisp, delicate mourner led by haunting vocals more mournful than the Adrien Brody’s natural facial expression.

Cliques – Dotted

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Cliques are the Anglerfish of the electronic world. They sit in near silence, in a place so dark you wouldn’t be able to see anything even if you had a trusty Bic. Then, a small, dim light appears…faint, bouncing, happy. It feels wrong to approach it, dangerous even, but it’s so beautiful. It bobs closer and closer, but something doesn’t feel quite right. It’s so close, and so bright, and then…the jaws open wide, terror rises to its haunches, and you’re vacuumed into the stomach of one of the world’s most unique predators.

TEES – Got the Feeling

Look, if this came out in the 90’s alongside Underworld and Orbital, TEES would probably be the biggest things in the world. Actually, it doesn’t really matter about context – even coming out in 2016,  with “Got the Feeling” and that top notch propulsive dreamy house beat, I fully expect TEES as headliners for the next Coachella.

 

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Video: Broadways Sounds – Sing It Again

Do you want to see a grown man lose his mind in the desert? Of course you do, you sick fuck! But do you want to see that experience soundtracked by Afrobeat? Take the spuritzy, exotic sounds of NO ZU or Andras Fox, and then dunk it ecstatic saxophone solos, and chuck in a video that is like Desert Storm for acid freaks. In what could be the strongest infomercial for boomboxes ever, Broadway Sounds give a video that’ll have as good a pop culture impact as ‘Point Break’. I don’t know that much more needs to be said.

Top 10 Music Videos of 2014

It’s that time of year, when I sell my soul, and conform to the expectation that all blogs, no matter how small and shitty (of which Soundly Sounds is both) needs to compile an end of year list, summarising all the great things that have been accomplished by the fair artists of the year. Now, if you’ve ever been on this blog, or heard words out of my mouth, it becomes apparent that I have a habit of hyperbole, and describing everything as “my favourite” or “the best thing ever”. Well, now it’s time to pay up, and show what I, King Deadshit, reckons is the best of the best this year.

First, music videos. A dead medium. Who even the fuck watches this shit? It’s just a band wearing enough hair gel to freeze over hell, and badly lip-syncing to a song no one liked much in the first place. OR it’s a place where blood and gore thrives, and creativity is king. Here are the Top 10 Music Videos of the 2014, but first, some honourable mentions: White Hex (‘Paradise’), DZ Deathrays (‘Gina Works At Hearts’), SMILE (‘BLVD’), and Jack Ladder & The Dreamlanders (‘Come On Back This Way’).

BONUS: Girl Talk & Freeway feat. Waka Flocka Flame

It seems strange to include a Girl Talk track in this blog, especially one that features human shitstain Waka Flocka Flame. I’ve never been a fan of kitschy rap that glorifies bullshit. But the visual ridiculousness of seeing a man like Waka sitting on a throne gesticulating with a recently dismembered arm, as Girl Talk beats up people on the street, is something so gloriously gonzo that it has to be included as one of the greatest audio-visual experiences of 2014.

10. King Gizzard & the Lizard Wizard – Cellophane

King Gizzard are the Spoon of garage rock – they just release really consistent, good records. Their two records of 2014, ‘Oddments’ and ‘I’m In Your Mind Fuzz’ were pretty great, but the videos are what remained spectacular. “Hot Wax” was a solid contender, but it was “Cellophane” and its 3D video, that captured the cartoon-ish, Hanna-Barbera lunacy that they portray onstage. And if any song was going to act as the perfect vehicle for such a mindfuck, “Cellophane” would be it.

9. The Peep Tempel – Big Fish

The Peep Tempel are great at pumping out bloodthirsty tunes mopped straight from the floor of the seediest pub in town. They’re the kind of hard-working, sweaty band that plays loud, growling with menace. That’s probably why their clip for “Big Fish” is so great – it shows what the morning after a night out at a Peep Tempel is really like. Stumbling, trying to lit half of a cigarette, and raising eyebrows from every passerby.

8. Broadway Sounds – Something Sensual

Broadway Sounds came from nowhere, and released a fantastic EP of tangy and elastic synth jams. Then they released the video clip for “Something Sensual”, a Tim and Eric-esque sketch that just scrapes under the classification of porn. Strange burlesque folks in masks, Melbournite gymnastics and the ultimate ode to the constellations, “Something Sensual” manages to give you the weirdest boner of all time.

7. Blank Realm – Reach You on the Phone

Not only did Blank Realm unveil a 10/10 perfect album, and bring the keytar back from the furthest point of remembrance, but they also managed to release this fantastic video. The video easily re-creates all the billowing emotion and whirlwind romanticism, via a hued pastiche of purples, greens, pinks and yellows, and an abundance of fans (both the kind that blows air into your face, and the array of colourful characters who appear). There’s also the fantastic claymation that recalls the work of Adam Elliot (Harvey Krumpet). If you’re not sobbing at the end of this, you’re malfunctioning.

6. Bistro – DR NO feat Simo Soo

Straight outta Sydney, some of the best hip-hop you’ll hear all year – not only can Bistro provide music that doesn’t sound like something a lad from the North Shore spat onto a napkin, it also isn’t obviously inspired by American hip-hop either. Instead, it sounds thoroughly of its own time and place.

What’s more, he’s got a film clip that accurately depicts the kind of fucked up pace, flow and themes presented in DR NO. It’s frightening and acidic, worse than anything Walt Disney could come up with, a blend of schizophrenic gonzo-ism. When it hits Simo Soo’s rapid fire verse, your hands should be just blistering, white knuckled stubs of flesh.

5. Liam Finn – Burn Up The Road

One of the more feel-good clips of the year is Liam Finn’s “Burn Up the Road”. Yes, he is the kid of Neil Finn, but his style is defiantly his own. That comes through in the alternate (and infinitely cooler) future in which Liam Finn and Kirin J Callinan are best mates, then enemies on a autobahn motorbike ride to hell and back. It’s Talladega Nights: The Ballad of Ricky Bobby with more hockey pads and a liquid cool guitar riff.

4. Multiple Man – Persuasion

A lot of bands adopt the VHS approach these days, and it’s becoming a tad painful to see. It started out cool, but when everyone’s doing it, it sort of fucks up the novelty and greatness of it all. But with Multiple Man, they’ve cannibalised and evolved that CHS concept into something that’s both alluring and scary as hell. I imagine watching the bleached colours burrowing themselves into your eyes as the Campion twins purr along to squelchy beats and trickling synths is the same way sensation people felt after watching The Matrix for the first time. When New Order is getting swallowed by The Soft Moon like that to the fuzzy, white-noise head fuck of the “Persuasion” video, something inside of you says “Hey, probably not going to see some shit like that for a while”

3. Client Liaison – Free of Fear

Client Liaison toe a line that can easily cross into self-parody. They’re fantastic, but when you sound like a Prince and Michael Jackson-crossbreed being fed through a fax machine, and interpreted by Olivia Newton-John, there’s a large chance that there could be a mis-translation. However, these guys just write damn fine pop songs, and their videos are works of art. “Feed the Rhythm” borders on being one of the videos of the year, but it’s the grand randomness revealed with straight faces for the comic ages (try patting an alligator in the desert, and not cracking a smile), that ensures that the elaborate “Free of Fear” clip excels at being the No. 1 lavish homage and extension to the greatest pop era in history.

 2. Zanzibar Chanel – Mustn’t Evolve feat. Dungeon Posse

This video was released only mere weeks ago, but when it opens like a soap opera taking place in gangland warfare, and a brutal, eye-popping murder takes place before any music starts, then things look to be pretty amazing. “Mustn’t Evolve” is a torture-cry laden, synth delight, soaked in evil vocals and a cell playground for Melbourne’s finest to rap-squat and jiggle their way into infamy. It’s about as close to a Hunter S. Thompson wet dream as things go.

1. Collarbones – Turning

Not only is “Turning” the motherfucking JAM of 2014, an electronica glitch in the binary code that turns 0’s into Destiny’s Child and 1’s into Aphex Twin, but it has the best video of 2014 as well, for a plethora of reasons. Firstly, it’s got a celebrity cast, including Marcus and Travis of Collarbones, Doug and Russell of FISHING, FBi legend Frances Barrett, Marcus of Siberia Records, and Romi and Matt Banham, the greatest Internet sensations Australia has seen since Steve Irwin. Secondly, it’s directed by SPOD, a name that causes amateur filmmakers to quake in intimidated passion. Obviously, that means the clip is loaded with all sorts of crazy Internet craziness, like Brown Cardigan and Deep Internet Reddit made passionate love on a green screen. And thirdly, it has outfits that make like The Devil Wears Prada moved into a Health Goth store, andn has teh choreography of a ferocious mythological creature being taught to twerk to R Kelly, (I imagine SPOD was the one who taught said beast, via a My Fair Lady “The Rain in Spain” musical number).

New Electronic Music: Bonobo + NO ZU + Broadway Sounds

Wubba wub-wub wub, Diplo is God. Now that I have the attention, follow me on a journey of awesome new electronic stuff:

Bonobo – Flashlight

Bonobo’s been around for a long time, and is one of the most critically acclaimed electronic artists. He doesn’t resort to gimmicks or cheap tricks with his music, but creates these amazing soundscapes that draw from a multitude of inspirations. “Flashlight” is his latest, and is a well of samples, layer upon layer of sounds balancing on each other, like a Cirque du Soleil of electronic music.

NO ZU – Raw Vis Vision

Like a PNAU lost in the woods, NO ZU (kind of an ironic name, considering they sound like a tribal jungle gathering dressed in neon). Cracking in at six and a half minute, “Raw Vis Vision” is a smooth marathon, flippant bongos and eclectic bass rhythms run through a funky-as-fuck tune with plenty of swaying potential. If Stevie Wonder had been stuck in the Amazon for decades, and then came back with a funkified version of the Hula that involved a lot of whistle blowing, “Raw Vis Vision” would probably be the closest thing to that hypothetically amazing creation.

Broadway Sounds – Something Sensual

If you’re a fan of this new-wave of throwback electro-pop that’s arisen in Australia (i.e Collarbones, Retiree Client Liaison), prepare your mind for the next massive thing. Your eyes won’t believe what they ‘re seeing, and your ears will melt in seduced pleasure. Squelchy beats flashing across a we plateau of laser synths, and bubbles of sound rising and popping everywhere, “Something Sensual” is a steam bath of hedonism.

Tie that down with an awesomely DIY video, that’s part intro’s to 80’s porn, part superimposed burlesque party involving synthesisers , and part fan-fiction from the mind of a depraved alternate-universe David Hasselhoff, Broadway Sounds are going to be massive, especially off the back of something like “Something Sensual”.