Friday, 21st November @ Goodgod Small Club
For two of my favourite local bands, 2014 has been a career-affirming year. Both Step-Panther and Bearhug have released the best material of their lives, solid, cohesive sophomore records that accentuate their past tendencies, and showcase their abilities to write fucking great songs. Step-Panther’s ‘Strange But Nice’ has to be one of the albums of the year, with it’s raw, slicing honesty, and Bearhug are most definitely in the Top Tier, with a record that never puts a foot wrong, only engaging in the best walls of guitar haze. Tonight, the two bands shared a stage, and threw down the gauntlet to show that their more than just a bunch of pretty faces.
Point Being, a band with about five gigs under their belt, opened with a set of crushing rock. What’s cooler than being cool? Not ice-cold, but rather this fucking band. Their set was a looming cache of forthright guitars set to their most primitive. On record, Point Being can come across as almost friendly, despite their dry delivery. On stage, even after their frontman had only landed down after running the fucking New York Marathon a mere few hours before, the engaged with the sort of white-knuckle, bared teeth rabid look you’d get from one of the re-born creatures of Pet Semetary. They’re a weird breed of a band that everyone knows but can’t remember, an amalgamation of all the best punk acts of the 1980’s – Mission of Burma injected with a bit more underdog aroma, the kind that’s bred out of the suburbs of Sydney.
Bearhug had their original lineup on stage, and there was a certain extra to the way they played on the night. Their music just seemed to thrive that much harder, and although it took a few songs for their warm fuzz to waft around the room, by the time “Habit Wave” crash landed, the room was effectively enraptured. There was a new energy in the way Bearhug play, whether it be the blur their hands make when thrashing over “Animal”, or the loping romantic elope of “Over the Hill”. Or maybe it was just the fact one of their guitarists, Jesse Bayley’s imitation of Joey Belladona of Anthrax-impression, heaving black hair whipping across the stage like Willow Smith was in the building. Whatever it was, their music, mostly compromised from the gorgeous ‘So Gone’ made for a sincerely gripping show, thrilling even. The guitar blanket that descended made for a calming, zen-like state, like the Dalai Llama formed a band with J Mascis. Some might be cynical as to whether Bearhug would be able to pull off their cocooning sound in a live format, but trapped in the small room of Goodgod with the five gents made for a rewarding show.
Finally, Step-Panther blasted their way onstage with “User Friendly”, “It Came From the Heart” and “Nowhere”. The trio of Zach, Steve and Dan made for one of the loudest sets seen in Goodgod since METZ. They were a flurry of lambasting guitars, shooting chords and cymbal crashes into your ears with the velocity of the Millennium Falcon at light speed. Steve’s guitar is blaring at 11, but the resulting wash of sound is less Spinal Tap and more medieval wasteland out of Evil Dead 3 – cartoonish, bloody and fucking good. One only has to headbang along to “Nowhere”s two solos to see that the band have made a rock equivalent to Eddy Current Suppression Ring’s “Get Up Morning”.
Step-Panther’s set borders on epic, but is injected with too much normal personality to be some bullshit swords ‘n’ sandals saga that Dragonforce might pull together. Almost entirely built upon their fantastic new album, besides a brief, pummelling edition of “Fight Like a Knight”, the band proves that not only have they matured in their song-writing and musical ability, but they’ve also increased their performance. Their drummer, Daniel Radburn, is particularly impressive, showcasing what has to be one of the most batshit crazy drumming skillz seen since Pantera – the man’s arms are like Doctor Octopus’ appendages, a destructive force in eight different directions.
It’s a night to fucking remember. All three bands are excellent, but what’s more, they’re even better live. In considering that these are two of the best local releases of the year, saying that going to see any of these bands is essential to your life is a bit of understatement.