Disgusting People are a bunch of bloody charmers, comprised of some of the best talent that Sydney-town has got on offer. You’ve got members of Weak Boys, Day Ravies, Mope City, Nathan Roche and a couple other bands you’ve probably caught a woff of at some point or another. However, just because they can charm you harder than George Clooney hopped up on some horny goat weed, doesn’t mean that they’re not prone to the same primitive impulses that bind you and I to this mortal coil. If these legends of the West want to strap together a few scrappy songs on a four-track and deliver them to our undeserving ears, then so be it.
First and foremost, this is an album that needs to be listened to on cassette. Now, whilst that might come off as some crass hipster-ism, it’s a genuine nod. The buzzing and whirring, the hiss and delvings into random noise make it the perfect thing you want to chuck it on a format that hasn’t been wildly popular since Motley Crue could still sell records.
Anyway, the record is pretty much a loose collection of previously released stuff (“Make You Happy”, “Snail Song”, “2×4”) and new just-as-irreverent tunes. It’s obvious that all members here have contributed songs, as the album swings wildly in all directions, from loose, fuzzy and frantic “Third Wheel”, to introspective hula-meets-depression jams, cc: “Between Mothering and Murdering”.
Whatever you could want in a song, Disgusting People have you covered, a buffet of pop on offer. There’s also a certain order to the randomness. The album begins with bouncy mope-pop tracks, slacker guitar lines wafting lazily next to tracks that make you want to clap your hands in stupid joy (“Snail Song”, Between Mothering and Murdering”, “Make You Happy”). Then things turn a lil’ rockier, with “Third Wheel” sounding like someone spilled an unfinished MC5 record into the mixing desk. I maintain that “I Wanna Ctrl Delete My Life” is one of the finest songs released this year, and short, snappy song that goes out to all the office squares who wanna rip off their loose-fitting shirts and scream an AC/DC song.
Then things get super fucking weird.There’s the Tim and Eric sketches that the world’s funniest duo forgot to put into their show, in “Cat Song”, “Candy” and “T-GAS”, high pitched homages to all out weirdness. The 19-track opus finishes with a few tracks, including a Yo La Tengo-esque reprise to standout track “2×4”.
Basically, Disgusting People didn’t try too hard on this album. There was no label meddling, no pressure, no harsh times infecting the performances of the band members. It’s just off-kilter pop music played by mates, for mates, and it resounds with a weird and wonderful tang that permeates throughout. The exploitation of the strange is strong on this one, a perfectly preserved encapsulation of the fucked up shit you do when it’s just a few mates. If you’re the kind of person that thinks that SPOD should’ve started a jangle-pop band, then this album is for you. If you’re the kind of person who likes Beavis and Butthead, and wished they’d made an Australian version, this album is for you. And if you’re the kind of person that wished Clive Palmer had a reality TV show, you’d probably enjoy this album as well. And if you’re not that kind of person, I hear Alt-J have a new record out. So, yeah, enjoy that.
Highly recommend picking up this in physical format, which you can do right here, at Strong Look Records Bandcamp. Also, catch Disgusting People launching the album THIS THURSDAY (30 November) at The Mess Up, at the Lansdowne Hotel. Entry is free, and King Tears Mortuary and Carpet are coming along for support.