Top 5 Records w/ SPOD

There’s a reason why I always attach the prefix “Old Mate” when  talk about old mate SPOD. It’s because, although I’ve never met him, the guy is like Sydney’s father of good music, constantly churning out the hits for us to shake our booty to. He’s diverse, unpredictable and came out with a song called “Deadshits”. There is literally nothing more you can love about the guy.

Now, for all those that are unaware, SPOD recently came out with a bloody brilliant new record called ‘Taste the Sadness’, an adult re-imagining of his classic debut ‘Taste the Radness’. One of the best songs on there, a bonafide tear-jerker, is the first track “Last Dance”, which perfectly personifies its title, in that it is something heartbreaking and melancholy, but at the same time, leaves nothing unchecked. It’s just a really open and honest song, and if you were going to indulge in a last dance, “Last Dance” would be pretty bloody perfect to have a final waltz to.

Because SPOD is a bloody legend, I asked him if he’d want to do his Top 5 Records that he’d have his last dance to, and he replied with a surprisingly deep and   meaningful list, especially for a guy who makes us dance to the tune of “Get your fuck on, get-get  your fuck on”. Cheers SPOD you bloody legend!

Top 5 Records that SPOD would have his Last Dance to

01: Ween – Any album up to and including White Pepper

Ween were basically flawless from 1990 to 2000. 10 years of inspiring perfection that didn’t give a shit about anyone or anything asides from pure songwriting perfection & ultimate bravery. I don’t know if anyone still thinks they’re a novelty band, but if they do, they’re probably a total deadshit who likes the current Foo Fighters. It’s a bit of a kick in the nuts of my own mortality that Ween broke up. If two perfectly mismatched geniuses can’t remain best friends forever, then what chance do the rest of us have?

02: Harry Nilsson – Nilsson Schmilsson

I bought this record as a young man solely because of the cover of an out of focus Harry in a bathrobe. Who was this guy who dares to put such a deadshitty image on his album? Little did I know at that time that it’s one of the greatest albums of all time and Nilsson is a hilarious & touching legend. Nilsson was the original Ween, he loved dancing with the absurd just as much as writing a perfect song and could do both like no one else and planted the seed in the importance of adult pride.

03: Beastie Boys – Pauls Boutique

What a masterpiece. I remember when this came out, I was still totally juiced on Licenced to Ill and the idea of these 3 brats spraying beer on the dicks of the world. Along with the rest of their fans, I wasn’t ready for such a mature step into this world that they and the dust brothers created. This gave birth to a lot of music I loved that came after it, and also a lot of Fat Boy Slim pieces of shit, but man this album was a bolt of lighting, and still sounds fresh as the day it landed. It was such a huge flop when it came out that I got it for $5 on vinyl. Nice. It also put me onto more good albums from its samples than any thing else I’ve come in contact with.

04: Black Moth Super Rainbow – Dandelion Gum

When I stumbled across this album on some blog in around 2008, I had kind of given up finding another band to obsess over, thinking I’d grown out of that part of my life and was destined to float through the rest of my days just recycling past loves till the end of time. Then this came along, a perfect mix of everything I loved up to that point. VHS Video Stores, Hip Hop, Psych Pop, Vocoders & cool songs from a faceless dude. A future primitive dance party for lonely dudes in the summertime.

05: Beck – Mellow Gold

Again, sure he’s got technically better albums in Mutations, Midnight Vultures & Odelay which are all masterpieces, but Mellow Gold, along with Weens Pure Guava, were displays that ideas are the most important things to have as long as you have a 4 track and a room to record them in. This was back before your telephone could record an album, kids. It was a bloody revolution! It sounds so personal and close, like a best friend just gave you a tape they made, which just so happens to sound like the future of Bob Dylan joining the Beastie Boys.

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