New Australian Music: Shrapnel + NUN + Lace Curtain + Full Ugly + Slow Violence

Boom, shackalaka! New Aussie music tunes to fill your ears unlike that hole in your life left by a yearning sense to accomplish something of semi-importance, and achieve self-fulfilment. Alas, Maslow’s Hierarchy of Needs will again go disused. Now go, cover that shame with some killer tunes.

Shrapnel-Print and Sign

Sam Wilkinson is a man of many guises, like some sort of musical Tom Cruise in Mission Impossible 2. Hell, both are located in Sydney! Shit, Sam Wilkinson is fucking Tom Cruise!

Massive coincidences aside, Mr. Wilkinson has a new project under the name of Shrapnel, which is a weird, psych-pop thing that has all the cuteness and warmth of a gentrified Chest-Burster. If ‘Print and Sign’ grew up in the wild, it would be a ferocious beast that’s sole aim in life was to rip open chest cavities, and wreak horror upon a crew of unsuspecting space explorers. Luckily, Sam Wilkinson tamed this gnarled terror into a lounging, Mac DeMarco-meets-MGMT (Brian Eno era) pop number, that ends in a tripped out passage that’s more Hitchiker’s than Alien. Damn, it feels good to drop dumb references to local music!

NUN-Evoke the Sleep

NUN (not to be confused with the surf-rock group NUNS) are one of the brightest and best synth-punk groups to come out of Melbourne since Primitive Calculators. They’re undulating, weird and best of all, really super. Their new single, which comes off their upcoming debut, starts out ultra-Devo. Penetrating synth chords develop under blinding heat, until eccentric-noise buries them and brilliant rays of Jenny Branagh’s voice evokes a most Doctor WHo re-indition of Olivia Newtown John’s ‘Let’s Get Physical’.

Lace Curtain-I Can’t Wait

Lace Curtain hold one of my favourite EP’s of all time to their name, so anything they produce will cause rabid fits of excitement, and put me into a minor form of mental institution. ‘I Can’t Wait’ is no exception, and only after listening to it multiple times could the perfect metaphor be crafted to explain its greatness. Dark, titillating post-punk rears it’s Loch Ness head from a murky marsh, as all the Swamp Monsters and Black Lake Creatures gather around and dance their flapping gill-heads into the night, never losing their gaze from the tyrannical sounds onstage.  Copious amounts of MDMA were all involved in the production of such an orgasmic gathering of oft-overlooked B-Movie Monsters.

Full Ugly-Hanging Around

‘Drove Down’ was one of the most criminally underrated songs of 2013. Even I, No.1 Ginger of Sydney, didn’t recognise the brilliance of this 7″ for quite some time. And I felt the wrath of personal underachievement for quite some time. BUT ALL SHALL BE RECTIFIED, because Full Ugly have gotten around the releasing a new single! Although ‘Hanging Around’ doesn’t hold the same ability to touch upon all the emotions of the rainbow like ‘Drove Down’, it still showcases Full Ugly as one of the best slacker bands in Australia.

Each chord in ‘Hanging Around’ seems to drip off each other, forcing your rigid, cynical neck to bop up and down in the most fluid and gentle of ways. And the chorus, although sung in an off-the-cuff, casual way, has the same potency as if it had been screamed into your face by one of the bands off Cool Death Records. Doper than a Jesse Pinkman monologue.

Slow Violence-New Teen Angst, Pt. 2

Slow Violence? New Teen Angst, Pt. 2? Yeah, there’s no fucking way these guys aren’t a really shitty Black Flag rip-off that actually spent more time listening to My Chemical Romance and Taking Back Sunday than they did with ‘My War’. Only, they’re not. Instead, Slow Violence provide one of the most subtly comforting soundtracks in recent history. A mostly ambient mix, there’s traces of sighin’ R&B (‘Crushin’), Jon Hopkins shufflin’ (‘Limb’) and post-rock akin to Explosions in the Sky-meets-The National (‘Kidz’). Woah…did your jaw just drop? Mine is currently chilling on the opposite end of the Earth, somewhere around Greenland.

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