Yeah, so I got behind on my work again, and there’s a bunch of videos that escaped my glorious reviewing. You should look and listen to all of them, lest you be cursed by a gypsy witch who’s really into Future Classic signees. Especially check out the Death Grips and SMILE clips; they’re alarmingly different but some of the best shit you’ll see/hear all week/month/year.
Flume & Chet Faker-Drop the Game
Boom! Did you fucking read that shit? Flume! Chet Faker! Boom! Yeah! Cool! Two of the most hyped acts to come from Australia in recent years, along with Tame Impala and POND, have joined forces to deliver a pretty brutal R&B chilltronica jam that would put a R Kelly/Washed Out collaboration to shame. Flume does what he does best, squishy, squelchy beats that reverse into squeals in the most adorably addictive way, but its Chet Faker that shines on this track, his voice singularly taking this track from a fairly average club hit to something you could listen to anywhere and still thoroughly enjoy.
As for the accompanying video, its okay. It depicts a deserted urban street (do those exist anymore?) and a dude doing some pretty cool dance moves. Nothing happens, and that’s a bit of a let-down for such a fluid and full song, but hey, what are you gonna do?
Death Grips-You Might Think He Loves You For Your Money But I Know What He Really Loves You For It’s Your New Leopard Skin Pillbox Hat
On the one hand, I regret posting the video for the new Death Grips track, because the title took me about half an hour to write. On the other hand, holy fucking shit! This song might be the best thing Death Grips have ever done! Its gritting, strung-out, visceral and challenging, but has a noise to it that one can’t help but think….FUCK!
This return to form, musically and lyrically, is accompanied by a pretty fucking great video, out-of-focus shots of MC Ride absolutely losing his shit, something that you should all be doing right about now.
Now, although Mesa Cosa are ragging on about my hometown, Sydney aka the greatest place on Earth, because, ‘…The girls from Melbourne will miss me…’, I still fucking love Mesa Cosa, the Melbourne blokes who give garage rock a good name. Featuring the sort of high octane energy that inevitably leads to spewing your guts up on King Street, nails-down-chalkboard guitar screech a sweaty bass line, ‘Sydney’ is a fucking awesome track, despite the fact it’s all about Sydney taking the band away from their loved ones. However, considering all the footage from Mesa Cosa’ shows at what looks to be Hotel Street and The Factory Theatre, I’d say the boys are lying through their fucking teeth, and at least one of them got laid while they were up here.
SMILE-Still Waitin’ For My Man
Taking things down a fair bit, but still in the realm of Melbourne, we’ve got SMILE’s clip for their track ‘Still Waitin’ For My Man’. This clip is one of the better things I’ve seen in a while, mainly because it fits the song so fucking well. Easy-going and breezy, the clip features drug dealing, chocolate ice-cream, and the most head-bopping chorus you’ll hear…ever. Man, the Go-Betweens would be so stoked to hear this song.
Ernest Ellis-Black Wire
I always said that a convulsing woman in a black leotard was sexy, and it looks like Ernest Ellis are out to prove me correct. Such a beautiful track, half-macabre synth waves, half-mushy Stone Roses-level forlornness, the clip undoubtedly captures the torture of the vocals. The solemn harmonica that comes in so subtly but strongly at the end-dancing bit just reinforces the harmonious beauty of the clip so hard, it makes me want to burst into a fit of tears. Then the song ends, and I have to play ‘TV Party’ until I feel masculine again. But a little part of me is screaming, ‘play Black Wire again!’