If every Parquet Courts fan in the entire world met up in one place (let’s say…Arizona Desert? And call it something like….Burning Sasquatch?), and channelled the appropriate amount of excitement and adoration for this new EP that Parquet Courts just put out, there would be enough energy to power Europe for 21 days. Now, that might seem highly unlikely, illogical, and even impossible, but it’s a scientific fact that it would work. Just ask the dudes from MythBusters or something.
This new EP from Brooklyn-via-Texas band Parquet Courts (if you’ve been on this website before, you’ve probably heard the name) is a bonafide smash hit compromised of delectable tracks on par with ‘Paranoid Android’ and ‘Fire in Cairo’. In other news, what is hyperbole? Okay, so maybe I’m guilty of exaggeration and bias, but this EP is better than having a peanut butter and jam sandwich with Tupac.
It’s only a few tracks long, but ‘Tally All the Things That You Broke’ packs a punch, and surely the title holds over an element of foreshadowing after the first track is done. ‘You’ve Got Me Wonderin’ Now’ is fast and not very furious, but don’t take that to mean that you won’t go on a rampage of delight. There’s a little pan flute riff in there that makes you think both ‘What the fuck?’ and ‘Why isn’t that there pan flute in every song?’. The sweaty guitar breaks that occur twice in the song are also very fucking cool, like Jack Nicholson rapping Wu-Tang Clan levels of cool.
The EP moves onto ‘Descend (The Way)’, a shouty, underfed grimer, like that kid that you used to go to school with that always smelled like a dead body and ate rotting cheese for recess. After that dirty but delicious thing, there’s “The More It Works’, a song that wouldn’t sound out of place in an Ian McKaye set-list. The song’s only got se7en words in it, but it’s less Kevin Spacey decapitating your wife, and more ‘holy shit, let’s mosh until we decapitate ourselves’. As the guitar drips out, a slinky bass line kicks in for ‘Fall On Yr Face’ a narration driven track that shows off a more disturbed side to Parquet Courts than anything we’ve ever seen (Oh My!).
So far, the EP has been a happily haphazard affair, and super enjoyable. But shit’s about to get unreal with the announcement of ‘He’s Seeing Paths’. The obvious comparison would be Beck’s ‘Odelay’ what with the strangely addictive samples that collectively form a church of wacked out, smacked out noise. But ‘He’s Seeing Paths’ is too funky and cool for that. The sound pushes like it’s searching for something, and it keeps you hooked for a whole seven minutes, a very impressive feat for a band that’s made their name with hooky, verse driven two minute tracks. To divert into something that takes the funk of Stevie, and the throwback cool of Anton Newcombe, and to force them to make love over a cowbell riff…that takes balls. Best of all, it’s the standout track of the EP.
Overall, Parquet Courts have released a fucking awesome EP, a bunch of material that see’s the band gearing towards a freakier direction. Now that’s some shit that we can all get behind. A little weird, but still throwing out familiar bones for those of us that don’t want a 180-sound fiasco, this EP will tide the fans over whilst we wait in mutual adoration for a sophomore record, and it will pick up a whole bunch of new fans. The punk may have dimmed a litte, but the freak-flag is still flying.
Parquet Courts will be playing Laneway festival in February, and are one of the top reasons to go (along with Cashmere Cat, Kurt Vile and Savages).